
Mid-Century Tiki Style Tapa Cloth Bark Art with Faux-Bamboo Frame
This rectangular wall art piece features a traditional Polynesian bark cloth (tapa cloth) material, likely originating from the mid-20th century Mid-Century Modern or 'Tiki' design era. The central image depicts a stylized figure in a squatting position, smoking a long pipe, accompanied by a small animal or dog-like figure and a shallow bowl or basket. The artwork is executed in a monochromatic dark brown or black pigment against the natural tan fibrous texture of the beaten bark. The background consists of swirling, concentric circular lines that provide a sense of movement and depth to the composition. The construction involves a layered mounting: the rugged-edged bark cloth is set against a cream-colored mat, all housed under glass within a decorative faux-bamboo wooden frame. The frame features traditional notched details and a warm honey-oak finish typical of the 1950s-1970s Polynesian pop aesthetic. In terms of condition, the piece shows visible signs of age including slight yellowing of the mat board and minor separations in the frame joints. The tapa cloth itself appears to have intentionally frayed edges, consistent with handmade production, and there is a noticeable lighter spot near the bottom basket which may be a natural fiber variance or minor surface wear. No maker's mark is immediately visible in this view, though it represents a high-quality example of the era's decorative ethnic-inspired crafts.
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Estimated Value
$250.00 - $450.00
Basic Information
Category
Wall Art & Cultural Decor
Appraised On
January 20, 2026
Estimated Value
$250.00 - $450.00
Additional Details Provided By Owner
User Provided Information
not sure
Item Description
This rectangular wall art piece features a traditional Polynesian bark cloth (tapa cloth) material, likely originating from the mid-20th century Mid-Century Modern or 'Tiki' design era. The central image depicts a stylized figure in a squatting position, smoking a long pipe, accompanied by a small animal or dog-like figure and a shallow bowl or basket. The artwork is executed in a monochromatic dark brown or black pigment against the natural tan fibrous texture of the beaten bark. The background consists of swirling, concentric circular lines that provide a sense of movement and depth to the composition. The construction involves a layered mounting: the rugged-edged bark cloth is set against a cream-colored mat, all housed under glass within a decorative faux-bamboo wooden frame. The frame features traditional notched details and a warm honey-oak finish typical of the 1950s-1970s Polynesian pop aesthetic. In terms of condition, the piece shows visible signs of age including slight yellowing of the mat board and minor separations in the frame joints. The tapa cloth itself appears to have intentionally frayed edges, consistent with handmade production, and there is a noticeable lighter spot near the bottom basket which may be a natural fiber variance or minor surface wear. No maker's mark is immediately visible in this view, though it represents a high-quality example of the era's decorative ethnic-inspired crafts.
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