
Royal Crown Derby Imari Style Octagonal Lidded Tea Caddy or Scent Jar
This is a finely crafted porcelain lidded jar or tea caddy, evocative of the classic Imari patterns popularized by Royal Crown Derby. The vessel features a striking octagonal or faceted body constructed from high-quality bone china, exhibiting a bright white ground. The decorative scheme is characterized by a rich color palette of deep claret red (burgundy) and lavish 22kt gold gilding. The surface is adorned with intricate floral swags, scrollwork, and geometric borders. The lid is similarly faceted and topped with an elegant, pointed finial accented with gold. The craftsmanship suggests a high level of detail, typical of English fine china from the late 19th to mid-20th century. The gilding appears predominantly intact, though there is minor surface dust and potential light shelf wear to the base. No visible cracks or major chips are apparent from the provided angle. The piece represents a fusion of Eastern-inspired design and traditional British ceramic expertise, often seen in the Old Imari or similar vanity ware collections. The handle-less, upright form indicates it was likely intended for the storage of loose tea leaves, potpourri, or as a decorative dressing table accessory.
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Estimated Value
$100-250
Basic Information
Category
Antique/Vintage Fine Porcelain and Decorative Arts
Appraised On
December 20, 2025
Estimated Value
$100-250
Item Description
This is a finely crafted porcelain lidded jar or tea caddy, evocative of the classic Imari patterns popularized by Royal Crown Derby. The vessel features a striking octagonal or faceted body constructed from high-quality bone china, exhibiting a bright white ground. The decorative scheme is characterized by a rich color palette of deep claret red (burgundy) and lavish 22kt gold gilding. The surface is adorned with intricate floral swags, scrollwork, and geometric borders. The lid is similarly faceted and topped with an elegant, pointed finial accented with gold. The craftsmanship suggests a high level of detail, typical of English fine china from the late 19th to mid-20th century. The gilding appears predominantly intact, though there is minor surface dust and potential light shelf wear to the base. No visible cracks or major chips are apparent from the provided angle. The piece represents a fusion of Eastern-inspired design and traditional British ceramic expertise, often seen in the Old Imari or similar vanity ware collections. The handle-less, upright form indicates it was likely intended for the storage of loose tea leaves, potpourri, or as a decorative dressing table accessory.
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