Framed Pair of Colonial Williamsburg Architectural Sketches by Charles H. Overly
Fine Art - Prints & Drawings

Framed Pair of Colonial Williamsburg Architectural Sketches by Charles H. Overly

This item consists of two individual pen and ink or lithographic sketches of historic Colonal Williamsburg landmarks, double-matted and housed in a single vertical frame. The top sketch depicts 'The Capitol, Williamsburg, Virginia,' showing the rear facade and cupola of the reconstructed colonial government building. The bottom sketch depicts 'The Wren Building, Williamsburg, Virginia,' featuring the iconic facade of the College of William & Mary's oldest structure. Both artworks are signed by technical illustrator Charles H. Overly in the lower right and titled in his distinct cursive script in the lower left. The sketches are rendered in a crisp, architectural style with fine line work and stippling to denote shadows and texture in the trees and masonry. The pieces are mounted within a light blue mat and held in a gold-toned wooden or composite frame with visible aging. The style is mid-20th century American, likely mid-1940s to 1960s. Condition-wise, the paper shows mild toning consistent with age, and the frame exhibits some minor surface wear and dust along the edges. The glass appears intact without visible cracks. These sketches were commonly sold as souvenirs in the Williamsburg area and are esteemed for their clean, traditional representation of Virginia heritage.

Estimated Value

$30 - $50

Basic Information

Category

Fine Art - Prints & Drawings

Appraised On

April 30, 2026

Estimated Value

$30 - $50

Item Description

This item consists of two individual pen and ink or lithographic sketches of historic Colonal Williamsburg landmarks, double-matted and housed in a single vertical frame. The top sketch depicts 'The Capitol, Williamsburg, Virginia,' showing the rear facade and cupola of the reconstructed colonial government building. The bottom sketch depicts 'The Wren Building, Williamsburg, Virginia,' featuring the iconic facade of the College of William & Mary's oldest structure. Both artworks are signed by technical illustrator Charles H. Overly in the lower right and titled in his distinct cursive script in the lower left. The sketches are rendered in a crisp, architectural style with fine line work and stippling to denote shadows and texture in the trees and masonry. The pieces are mounted within a light blue mat and held in a gold-toned wooden or composite frame with visible aging. The style is mid-20th century American, likely mid-1940s to 1960s. Condition-wise, the paper shows mild toning consistent with age, and the frame exhibits some minor surface wear and dust along the edges. The glass appears intact without visible cracks. These sketches were commonly sold as souvenirs in the Williamsburg area and are esteemed for their clean, traditional representation of Virginia heritage.

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