
Mid-Century Modern Brutalist Brutalist Metal Cityscape Wall Sculpture
This is a Brutalist-style decorative metal wall sculpture depicting a stylized European-inspired cityscape, likely dating from the 1960s or 1970s. The piece is constructed from various mixed metals, primarily copper and brass, using a layered, three-dimensional torch-cut technique. The centerpiece is a prominent cathedral or clock tower featuring a circular rose window detail and a pointed copper steeple. Flanking the tower are several multi-story buildings with torch-cut window shutters and mansard roofs, as well as abstract, scalloped brass tree forms. The base of the sculpture resembles a stylized walkway or bridge. The palette consists of warm metallic tones including aged copper reds, brassy golds, and dark torch-darkened patinas. The craftsmanship showcases the signature Brutalist aesthetic of tactile, rough-hewn edges and visible solder points. Visible condition includes a heavy natural patina, some oxidation spots, and surface dust consistent with age. There appears to be a faint signature or mark on the lower right base, which may be attributed to a studio artist like C. Jere or a contemporary artisan of that era. The construction uses bent metal rods for support and tree trunks, providing a relief depth that creates architectural shadows when wall-mounted.
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Estimated Value
$600 - $900
Basic Information
Category
Mid-Century Modern Decorative Arts / Sculpture
Appraised On
May 7, 2026
Estimated Value
$600 - $900
Item Description
This is a Brutalist-style decorative metal wall sculpture depicting a stylized European-inspired cityscape, likely dating from the 1960s or 1970s. The piece is constructed from various mixed metals, primarily copper and brass, using a layered, three-dimensional torch-cut technique. The centerpiece is a prominent cathedral or clock tower featuring a circular rose window detail and a pointed copper steeple. Flanking the tower are several multi-story buildings with torch-cut window shutters and mansard roofs, as well as abstract, scalloped brass tree forms. The base of the sculpture resembles a stylized walkway or bridge. The palette consists of warm metallic tones including aged copper reds, brassy golds, and dark torch-darkened patinas. The craftsmanship showcases the signature Brutalist aesthetic of tactile, rough-hewn edges and visible solder points. Visible condition includes a heavy natural patina, some oxidation spots, and surface dust consistent with age. There appears to be a faint signature or mark on the lower right base, which may be attributed to a studio artist like C. Jere or a contemporary artisan of that era. The construction uses bent metal rods for support and tree trunks, providing a relief depth that creates architectural shadows when wall-mounted.
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