Edwardian Rose Gold Lavaliere Pendant with Seed Pearls and Almandine Garnet
Antique Jewelry

Edwardian Rose Gold Lavaliere Pendant with Seed Pearls and Almandine Garnet

This antique pendant is an example of Edwardian era craftsmanship, likely dating from the 1900-1915 period. The piece features a stylized geometric, kite-shaped frame crafted in what appears to be a low-carat rose gold or gold-filled metal, common for the era. The architecture of the frame is decorated with delicate scrollwork at the terminal points. Centrally suspended within this openwork frame is a tripartite arrangement consisting of three baroque-shaped natural seed pearls and a single round-cut garnet, possibly an almandine variety given the deep purplish-red hue. The stones are set in a prong or claw-style mounting. The construction is delicate, utilizing thin gold wire supports. Condition-wise, the gold shows a warm aged patina with minor surface scratches consistent with use. One pearl appears slightly misshapen, which is characteristic of natural seed pearls from this period. The jump ring at the top shows slight wear but remains functional. The overall design reflects the transition from Victorian sentimentality to the more linear, aesthetic lines of the early 20th century, favoring lightness and delicacy over heavy ornamentation.

Estimated Value

$325 - $475

Basic Information

Category

Antique Jewelry

Appraised On

February 3, 2026

Estimated Value

$325 - $475

Item Description

This antique pendant is an example of Edwardian era craftsmanship, likely dating from the 1900-1915 period. The piece features a stylized geometric, kite-shaped frame crafted in what appears to be a low-carat rose gold or gold-filled metal, common for the era. The architecture of the frame is decorated with delicate scrollwork at the terminal points. Centrally suspended within this openwork frame is a tripartite arrangement consisting of three baroque-shaped natural seed pearls and a single round-cut garnet, possibly an almandine variety given the deep purplish-red hue. The stones are set in a prong or claw-style mounting. The construction is delicate, utilizing thin gold wire supports. Condition-wise, the gold shows a warm aged patina with minor surface scratches consistent with use. One pearl appears slightly misshapen, which is characteristic of natural seed pearls from this period. The jump ring at the top shows slight wear but remains functional. The overall design reflects the transition from Victorian sentimentality to the more linear, aesthetic lines of the early 20th century, favoring lightness and delicacy over heavy ornamentation.

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