Vintage Aboriginal Bark Painting Style Souvenir Artwork
Vintage Ethnographic Souvenirs

Vintage Aboriginal Bark Painting Style Souvenir Artwork

This rectangular artwork is executed in the style of Australian Aboriginal bark painting, likely produced as a souvenir 'curio' for the Bush Church Aid Society during the mid-20th century (circa 1950s-1970s). The piece is rendered on a naturalistic brown textured background that mimics the appearance of tree bark, framed within a dark, simple wooden molding. The composition features black silhouettes of native Australian bush elements, including eucalyptus-style trees, two emus, a kangaroo, and a central human figure holding a spear. The artwork uses a limited palette of black, white, and ochre-red. Detailed line work in white provides highlights to the grass and tree trunks, while the figures are stylized with elongated limbs. The condition shows visible signs of age; the wooden frame has minor scuffs and a small chip on the top right edge. There is evidence of slight discoloration and potential moisture spotting to the substrate, and some degradation of the paint layers where the white pigment appears to have faded or thinned. The craftsmanship reflects a folk-art or commercial souvenir quality rather than high-art ceremonial bark painting, intended for the mission-based fundraising market common in the mid-century era. No specific artist's signature is visible on the front, which is typical for items distributed through organizations such as the BCA.

Estimated Value

$100 - $225

Basic Information

Category

Vintage Ethnographic Souvenirs

Appraised On

February 24, 2026

Estimated Value

$100 - $225

Additional Details Provided By Owner

User Provided Information

Aboriginal Curios Bush Church Aid Society

Item Description

This rectangular artwork is executed in the style of Australian Aboriginal bark painting, likely produced as a souvenir 'curio' for the Bush Church Aid Society during the mid-20th century (circa 1950s-1970s). The piece is rendered on a naturalistic brown textured background that mimics the appearance of tree bark, framed within a dark, simple wooden molding. The composition features black silhouettes of native Australian bush elements, including eucalyptus-style trees, two emus, a kangaroo, and a central human figure holding a spear. The artwork uses a limited palette of black, white, and ochre-red. Detailed line work in white provides highlights to the grass and tree trunks, while the figures are stylized with elongated limbs. The condition shows visible signs of age; the wooden frame has minor scuffs and a small chip on the top right edge. There is evidence of slight discoloration and potential moisture spotting to the substrate, and some degradation of the paint layers where the white pigment appears to have faded or thinned. The craftsmanship reflects a folk-art or commercial souvenir quality rather than high-art ceremonial bark painting, intended for the mission-based fundraising market common in the mid-century era. No specific artist's signature is visible on the front, which is typical for items distributed through organizations such as the BCA.

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