Signed Limited Edition Etching of Mother and Child

This item is an original limited edition intaglio print, likely an etching or drypoint, presented in a blush-toned fabric-covered or textured mat. The vertical artwork depicts a tender scene of two female figures, presumably a mother and child, rendered in a sepia or reddish-brown monochromatic ink on a rectangular plate. The figures are dressed in turn-of-the-century or Edwardian-style nightgowns or prairie dresses featuring ruffled collars and flowing hems. Below the image plate, there is a visible pencil signature by the artist and a numbering indicating it is print '1/100', making it the first in a very small edition. The year '1979' is also inscribed next to the signature. Physically, the matting shows slight shelf wear and some minor discoloration spotting or foxing near the bottom right edge. The print itself appears well-pressed into the paper, exhibiting the characteristic plate mark of a traditional etching process. The style is reminiscent of late 20th-century realism, focusing on soft lines and delicate shading to convey a sense of nostalgia. The fine linework on the fabric of the dresses suggests a high degree of craftsmanship and attention to detail. Overall, the piece is in good vintage condition, though professional reframing or cleaning of the matting may be required to prevent further acidic damage to the underlying paper.

I have virtually examined this original intaglio etching, dated 1979 and numbered 1/100. The work demonstrates a mastery of drypoint or fine-line etching techniques, characterized by the delicate plate mark and rich sepia ink distribution. The '1/100' designation significantly enhances its appeal, as the first pull of an edition typically represents the crispest impression of the artist's plate. The Edwardian/nostalgic subject matter aligns with the romantic realism popularized in the late 1970s print market. Condition-wise, the print shows signs of aging, specifically foxing on the matting and potentially the paper substrate. Because the mat appears to be of older, non-archival material, there is a risk of acid burn transferring to the print edges, which slightly tempers the valuation. Market interest in late 20th-century realism remains stable, though secondary markets for monochromatic etchings are currently more niche than contemporary hyper-realism. Comparables for signed, low-edition prints of this size and era generally fall within the mid-hundreds range. Limitations: This appraisal is based solely on high-resolution visual evidence. To confirm absolute authenticity, I would require a physical inspection to analyze the paper's watermark and texture, as well as a microscopic examination of the ink to ensure it is a true intaglio and not a sophisticated photo-mechanical reproduction. Full authentication would also necessitate provenance documentation or a catalogue raisonné entry for the artist. I strongly recommend professional rematting with acid-free, museum-grade materials to preserve the paper integrity and maintain its current market value.