Hand-Carved Burmese Teak Architectural Element
Architectural Antiques / Wood Carvings

Hand-Carved Burmese Teak Architectural Element

This item is an antique architectural wood carving, likely serving as a corbel, bracket, or ornamental finial, expertly hand-crafted from Burmese (Burma) Teak wood. Physically, the piece showcases the deep, characteristic grain of old-growth teak, currently appearing with a dark, weathered charcoal-grey to deep brown patina, indicating significant age and exposure. The carving is highly ornate, featuring traditional Southeast Asian motifs including serpentine scales, scrolling foliage (dracantoid or 'Kranok' style), and stylized organic forms that twist in a high-relief, three-dimensional composition. Noteworthy is the complexity of the undercutting, which demonstrates a high level of craftsmanship and physical depth. The condition reflects its history: there are visible surface abrasions, grain splitting (checking) typical of aged wood, and a 'dry' texture suggesting the loss of original oils or finishes. Edges show moderate rounding from environmental wear, with some minor losses to the more delicate protruding scrolls. There are no visible maker's marks, which is common for architectural salvage from the 19th or early 20th century. The style is indicative of British Colonial or traditional Burmese temple-style ornamentation, emphasizing fluid movement and dense textural detailing.

Estimated Value

$1,400 - $1,800

Basic Information

Category

Architectural Antiques / Wood Carvings

Appraised On

January 28, 2026

Estimated Value

$1,400 - $1,800

Additional Details Provided By Owner

User Provided Information

Burma Teak Wood Carving

Item Description

This item is an antique architectural wood carving, likely serving as a corbel, bracket, or ornamental finial, expertly hand-crafted from Burmese (Burma) Teak wood. Physically, the piece showcases the deep, characteristic grain of old-growth teak, currently appearing with a dark, weathered charcoal-grey to deep brown patina, indicating significant age and exposure. The carving is highly ornate, featuring traditional Southeast Asian motifs including serpentine scales, scrolling foliage (dracantoid or 'Kranok' style), and stylized organic forms that twist in a high-relief, three-dimensional composition. Noteworthy is the complexity of the undercutting, which demonstrates a high level of craftsmanship and physical depth. The condition reflects its history: there are visible surface abrasions, grain splitting (checking) typical of aged wood, and a 'dry' texture suggesting the loss of original oils or finishes. Edges show moderate rounding from environmental wear, with some minor losses to the more delicate protruding scrolls. There are no visible maker's marks, which is common for architectural salvage from the 19th or early 20th century. The style is indicative of British Colonial or traditional Burmese temple-style ornamentation, emphasizing fluid movement and dense textural detailing.

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