Blue and White Chinoiserie Porcelain Ovoid Vase
Antique Ceramics and Porcelain

Blue and White Chinoiserie Porcelain Ovoid Vase

This is a medium-sized ovoid-shaped porcelain vase featuring a classic underglaze blue and white decorative scheme. The vessel is constructed with a flared rim decorated with a solid blue line, a short neck, a swelling shoulder, and a tapered body resting on a slightly flared foot ring. The surface is divided into multiple decorative registers and cartouches containing traditional Chinoiserie motifs. One prominent panel depicts a bird of prey, likely a hawk or eagle, perched among gnarled pine branches, while upper lobed panels contain various floral sprays and geometric diaper patterns. The glaze exhibits a bright white base with cobalt blue pigments that vary in intensity, suggesting a transfer-print or stencil application common in late 19th to early 20th-century mass-produced export wares. Condition-wise, the vase shows visible oxidation and brownish staining around the interior and rim, which may indicate long-term water exposure or use as a planter. There is fine surface crazing and minor peppering in the glaze (kiln soot), which are typical results of the firing process for this grade of porcelain. While no maker's mark is visible from this angle, the style is consistent with Japanese or Chinese export ceramics intended for the Western market during the late Victorian or early Edwardian periods. The craftsmanship is decent for a commercial piece, though the slight blurring of the blue patterns indicates it was likely intended as a decorative household object rather than a fine arts commission.

Estimated Value

$40 - $80

Basic Information

Category

Antique Ceramics and Porcelain

Appraised On

December 20, 2025

Estimated Value

$40 - $80

Item Description

This is a medium-sized ovoid-shaped porcelain vase featuring a classic underglaze blue and white decorative scheme. The vessel is constructed with a flared rim decorated with a solid blue line, a short neck, a swelling shoulder, and a tapered body resting on a slightly flared foot ring. The surface is divided into multiple decorative registers and cartouches containing traditional Chinoiserie motifs. One prominent panel depicts a bird of prey, likely a hawk or eagle, perched among gnarled pine branches, while upper lobed panels contain various floral sprays and geometric diaper patterns. The glaze exhibits a bright white base with cobalt blue pigments that vary in intensity, suggesting a transfer-print or stencil application common in late 19th to early 20th-century mass-produced export wares. Condition-wise, the vase shows visible oxidation and brownish staining around the interior and rim, which may indicate long-term water exposure or use as a planter. There is fine surface crazing and minor peppering in the glaze (kiln soot), which are typical results of the firing process for this grade of porcelain. While no maker's mark is visible from this angle, the style is consistent with Japanese or Chinese export ceramics intended for the Western market during the late Victorian or early Edwardian periods. The craftsmanship is decent for a commercial piece, though the slight blurring of the blue patterns indicates it was likely intended as a decorative household object rather than a fine arts commission.

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