
Framed Oriental Hardstone Inlaid Artwork with Lotus and Vase
This appears to be a framed panel featuring intricate hardstone inlay, likely depicting a traditional Oriental motif. The central imagery portrays a lotus flower with a prominent bloom in shades of coral or light reddish-orange, accompanied by smaller buds and large, dark green lotus leaves. These elements are arranged within a vase, which is dark-colored with a golden band around its body, resting on a decorative stand. To the right of the vase, there are additional decorative items, possibly symbolic implements or smaller vessels, crafted in a lighter, perhaps yellowish-white, material. The background of the panel is a light, possibly off-white or very pale grey, providing a neutral canvas for the colorful inlays. The frame itself is dark, likely wood, and features an intricate geometric pattern crafted from what appears to be mother-of-pearl or shell inlay, creating a repeating crisscross or lattice design around the entire border. The materials used for the inlay could include jade, soapstone, coral, or other semi-precious stones, a common practice in East Asian decorative arts. The raised nature of the elements suggests a three-dimensional quality to the artwork, indicating skilled craftsmanship in carving and setting the individual pieces. The piece exhibits a traditional aesthetic, typical of Chinese or Vietnamese art, often found in 'ivory dynasty' style pieces, though without closer inspection of the materials, it's difficult to confirm specific stones or animal-derived materials. There are no clear visible condition issues such as cracks, chips, or significant wear captured in the image, but specific scrutiny would be needed to assess the integrity of the inlays and frame details. The craftsmanship appears to be of good quality, with attention paid to the delicate details of the flora and the precise fitting of the frame inlay. The overall style points to an East Asian decorative art piece, possibly from the mid to late 20th century, though earlier examples could exist of similar techniques.
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Estimated Value
$350-550
Basic Information
Category
Decorative Art
Appraised On
October 13, 2025
Estimated Value
$350-550
Additional Details Provided By Owner
User Provided Information
Ivory dynasty
Item Description
This appears to be a framed panel featuring intricate hardstone inlay, likely depicting a traditional Oriental motif. The central imagery portrays a lotus flower with a prominent bloom in shades of coral or light reddish-orange, accompanied by smaller buds and large, dark green lotus leaves. These elements are arranged within a vase, which is dark-colored with a golden band around its body, resting on a decorative stand. To the right of the vase, there are additional decorative items, possibly symbolic implements or smaller vessels, crafted in a lighter, perhaps yellowish-white, material. The background of the panel is a light, possibly off-white or very pale grey, providing a neutral canvas for the colorful inlays. The frame itself is dark, likely wood, and features an intricate geometric pattern crafted from what appears to be mother-of-pearl or shell inlay, creating a repeating crisscross or lattice design around the entire border. The materials used for the inlay could include jade, soapstone, coral, or other semi-precious stones, a common practice in East Asian decorative arts. The raised nature of the elements suggests a three-dimensional quality to the artwork, indicating skilled craftsmanship in carving and setting the individual pieces. The piece exhibits a traditional aesthetic, typical of Chinese or Vietnamese art, often found in 'ivory dynasty' style pieces, though without closer inspection of the materials, it's difficult to confirm specific stones or animal-derived materials. There are no clear visible condition issues such as cracks, chips, or significant wear captured in the image, but specific scrutiny would be needed to assess the integrity of the inlays and frame details. The craftsmanship appears to be of good quality, with attention paid to the delicate details of the flora and the precise fitting of the frame inlay. The overall style points to an East Asian decorative art piece, possibly from the mid to late 20th century, though earlier examples could exist of similar techniques.
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