L.E. Smith Black Milk Glass Confetti Ware Cake Stand
Vintage Collectible Glassware

L.E. Smith Black Milk Glass Confetti Ware Cake Stand

This is a vintage square pedestal cake stand manufactured by the L.E. Smith Glass Company. The item is crafted from opaque black milk glass, often referred to as 'amethyst' glass because it reveals a deep purple hue when held to strong light. The most striking feature is the 'Confetti' or 'Spatter' decoration, characterized by erratic, web-like white glass trails applied to the surface. It features a hobnail or crimped sawtooth-style edge and a flared, tiered pedestal base that matches the main plate's pattern. The construction is heavy pressed glass, typical of Mid-Century Modern American glassware from the 1950s or 1960s. The surface shows a high-gloss finish with no visible chips or cracks in the primary image, suggesting excellent condition. This specific pattern is highly collectible due to its distinctive graphic contrast and the unique hand-applied nature of the white veining, which ensures no two pieces are identical. The craftsmanship reflects the quality of Westmoreland or Fenton era competitors, though the specific 'Confetti' line is a hallmark of L.E. Smith's decorative output.

Estimated Value

$175.00 - $250.00

Basic Information

Category

Vintage Collectible Glassware

Appraised On

January 20, 2026

Estimated Value

$175.00 - $250.00

Item Description

This is a vintage square pedestal cake stand manufactured by the L.E. Smith Glass Company. The item is crafted from opaque black milk glass, often referred to as 'amethyst' glass because it reveals a deep purple hue when held to strong light. The most striking feature is the 'Confetti' or 'Spatter' decoration, characterized by erratic, web-like white glass trails applied to the surface. It features a hobnail or crimped sawtooth-style edge and a flared, tiered pedestal base that matches the main plate's pattern. The construction is heavy pressed glass, typical of Mid-Century Modern American glassware from the 1950s or 1960s. The surface shows a high-gloss finish with no visible chips or cracks in the primary image, suggesting excellent condition. This specific pattern is highly collectible due to its distinctive graphic contrast and the unique hand-applied nature of the white veining, which ensures no two pieces are identical. The craftsmanship reflects the quality of Westmoreland or Fenton era competitors, though the specific 'Confetti' line is a hallmark of L.E. Smith's decorative output.

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