Acoma or Zia Pueblo Polychrome Terracotta Bowl
Native American Pottery / Fine Arts & Collectibles

Acoma or Zia Pueblo Polychrome Terracotta Bowl

This is a hand-coiled terracotta pottery bowl, characteristic of Native American Pueblo craftsmanship, likely from the Acoma or Zia Pueblo traditions of New Mexico. The piece features a shallow, open form with an unusual scalloped or ruffled rim edge, displaying a high level of manual dexterity in its construction. The interior surface is treated with a traditional cream-to-tan slip, serving as a canvas for the polychrome decoration. The central motif is a stylized bird, often referred to as a Zuni or Acoma bird, rendered in a warm russet-red oxide with black mineral paint outlines and accents on the wing feathers and tail. Adjacent to the bird is a floral or botanical element with red berries and black leaves. The entire composition is framed by a bold, wide black banded border that follows the undulating contours of the scalloped rim. Regarding condition, the piece shows a soft, aged patina with mild surface abrasions and small flakes to the mineral pigment, particularly around the high points of the ruffled rim. There are no obvious large cracks or repairs visible in the primary image. The style and execution suggest a mid-20th-century origin, showcasing the transition between traditional utility and decorative art for the tourist trade. The hand-painted linework is expressive but maintains the symbolic geometry typical of Southwestern indigenous art.

Estimated Value

$450.00 - $650.00

Basic Information

Category

Native American Pottery / Fine Arts & Collectibles

Appraised On

March 21, 2026

Estimated Value

$450.00 - $650.00

Item Description

This is a hand-coiled terracotta pottery bowl, characteristic of Native American Pueblo craftsmanship, likely from the Acoma or Zia Pueblo traditions of New Mexico. The piece features a shallow, open form with an unusual scalloped or ruffled rim edge, displaying a high level of manual dexterity in its construction. The interior surface is treated with a traditional cream-to-tan slip, serving as a canvas for the polychrome decoration. The central motif is a stylized bird, often referred to as a Zuni or Acoma bird, rendered in a warm russet-red oxide with black mineral paint outlines and accents on the wing feathers and tail. Adjacent to the bird is a floral or botanical element with red berries and black leaves. The entire composition is framed by a bold, wide black banded border that follows the undulating contours of the scalloped rim. Regarding condition, the piece shows a soft, aged patina with mild surface abrasions and small flakes to the mineral pigment, particularly around the high points of the ruffled rim. There are no obvious large cracks or repairs visible in the primary image. The style and execution suggest a mid-20th-century origin, showcasing the transition between traditional utility and decorative art for the tourist trade. The hand-painted linework is expressive but maintains the symbolic geometry typical of Southwestern indigenous art.

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