Abstract Cubist Madonna and Child on Slate
Fine Art / Religious Mixed Media

Abstract Cubist Madonna and Child on Slate

This is a unique mixed-media artwork, likely gouache or thin oil, painted on a rectangular wooden panel which is mounted onto a larger, textured dark gray slate or stone backing. Dimensionality is achieved through a mix of cubist and stained-glass aesthetics, depicting a stylized Madonna and Child. The central figures are composed of intersecting geometric planes in a vibrant palette of ochre, teal, crimson, and pale pink, accented with intricate pointillist dotting and fine white-line patterning. The composition features overlapping facial features, a common trope of mid-20th-century modernist art, creating a sense of movement and spiritual depth. The background of the inner panel is a rich, textured dark brown. The stone mounting serves as a rugged, brutalist-style frame, displaying raw, unfinished edges and a natural crystalline texture that provides a stark contrast to the refined, detailed paintwork. While no signature is immediately visible in the lower-right area of the inner panel, there appears to be faint inscribing or a stamp that would require closer physical inspection for attribution. Condition appears stable, though there are minor abrasions to the edges of the stone and light surface dust. The craftsmanship suggests a mid-to-late 20th-century origin, blending traditional religious iconography with modern abstract trends.

Estimated Value

$450 - $700

Basic Information

Category

Fine Art / Religious Mixed Media

Appraised On

February 21, 2026

Estimated Value

$450 - $700

Item Description

This is a unique mixed-media artwork, likely gouache or thin oil, painted on a rectangular wooden panel which is mounted onto a larger, textured dark gray slate or stone backing. Dimensionality is achieved through a mix of cubist and stained-glass aesthetics, depicting a stylized Madonna and Child. The central figures are composed of intersecting geometric planes in a vibrant palette of ochre, teal, crimson, and pale pink, accented with intricate pointillist dotting and fine white-line patterning. The composition features overlapping facial features, a common trope of mid-20th-century modernist art, creating a sense of movement and spiritual depth. The background of the inner panel is a rich, textured dark brown. The stone mounting serves as a rugged, brutalist-style frame, displaying raw, unfinished edges and a natural crystalline texture that provides a stark contrast to the refined, detailed paintwork. While no signature is immediately visible in the lower-right area of the inner panel, there appears to be faint inscribing or a stamp that would require closer physical inspection for attribution. Condition appears stable, though there are minor abrasions to the edges of the stone and light surface dust. The craftsmanship suggests a mid-to-late 20th-century origin, blending traditional religious iconography with modern abstract trends.

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