
Framed Etching of a Man with a Cane
This item is a framed fine art print, likely an etching or drypoint, depicting a male figure standing in profile or three-quarter view while leaning on a cane or walking stick. The artwork is monochromatic, executed with delicate line work that suggests a 19th or early 20th-century aesthetic, possibly in the style of the British Etching Revival. The figure is dressed in attire consistent with late Victorian or Edwardian fashion, featuring a long coat and a hat. The composition uses negative space effectively to draw focus to the character's posture. The piece is housed in a contemporary thin wooden frame with a warm, reddish-brown or gold-toned finish. Visible condition includes some slight rippling of the paper substrate, indicating it may not be mounted to a rigid backing. The image quality makes it difficult to discern a specific artist's signature or edition number, though the craft suggests professional-grade printmaking. There is no visible sign of significant foxing or water damage, though the glass shows some reflection and minor surface dust. The overall presentation is that of a classical portrait study focused on figure and form.
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Estimated Value
$450 - $650
Basic Information
Category
Fine Art - Prints
Appraised On
February 11, 2026
Estimated Value
$450 - $650
Item Description
This item is a framed fine art print, likely an etching or drypoint, depicting a male figure standing in profile or three-quarter view while leaning on a cane or walking stick. The artwork is monochromatic, executed with delicate line work that suggests a 19th or early 20th-century aesthetic, possibly in the style of the British Etching Revival. The figure is dressed in attire consistent with late Victorian or Edwardian fashion, featuring a long coat and a hat. The composition uses negative space effectively to draw focus to the character's posture. The piece is housed in a contemporary thin wooden frame with a warm, reddish-brown or gold-toned finish. Visible condition includes some slight rippling of the paper substrate, indicating it may not be mounted to a rigid backing. The image quality makes it difficult to discern a specific artist's signature or edition number, though the craft suggests professional-grade printmaking. There is no visible sign of significant foxing or water damage, though the glass shows some reflection and minor surface dust. The overall presentation is that of a classical portrait study focused on figure and form.
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