
American Ogee (O.G.) Shelf Clock
This is a classic 19th-century American Ogee shelf clock, characterized by its rectangular mahogany-veneered case with an 'S' shaped (ogee) molding profile. The clock features a two-tiered door; the upper section contains a hand-painted zinc or wood dial with Roman numerals and blue floral corner spandrels, showing significant foxing and paint loss due to age. The lower door panel features a reverse-painted glass tablet (eglomise) depicting a maritime scene with a castle and a sailing vessel against a sunset backdrop, framed by a scalloped gold border. The case is constructed from pine or poplar with a rich mahogany veneer that exhibits typical checking, minor edge losses, and a warm aged patina. The presence of two winding holes indicates an eight-day or thirty-hour weight-driven movement, common for Connecticut makers such as Seth Thomas or Chauncey Jerome. The condition is fair, with visible wear to the face, potential lifting of veneer on the mitered corners, and a missing top pediment or finish strip based on the top's unfinished appearance. The hands are ornate black stamped metal, and a small circular aperture in the lower glass allows for observation of the pendulum's motion.
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Estimated Value
$150 - $250
Basic Information
Category
Antique Horology / American Furniture
Appraised On
May 3, 2026
Estimated Value
$150 - $250
Item Description
This is a classic 19th-century American Ogee shelf clock, characterized by its rectangular mahogany-veneered case with an 'S' shaped (ogee) molding profile. The clock features a two-tiered door; the upper section contains a hand-painted zinc or wood dial with Roman numerals and blue floral corner spandrels, showing significant foxing and paint loss due to age. The lower door panel features a reverse-painted glass tablet (eglomise) depicting a maritime scene with a castle and a sailing vessel against a sunset backdrop, framed by a scalloped gold border. The case is constructed from pine or poplar with a rich mahogany veneer that exhibits typical checking, minor edge losses, and a warm aged patina. The presence of two winding holes indicates an eight-day or thirty-hour weight-driven movement, common for Connecticut makers such as Seth Thomas or Chauncey Jerome. The condition is fair, with visible wear to the face, potential lifting of veneer on the mitered corners, and a missing top pediment or finish strip based on the top's unfinished appearance. The hands are ornate black stamped metal, and a small circular aperture in the lower glass allows for observation of the pendulum's motion.
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