Large Folk Art Bird and Floral Ovoid Pottery Vase
Antique Ceramics / Folk Art

Large Folk Art Bird and Floral Ovoid Pottery Vase

This is a substantial ovoid-shaped pottery vase, likely redware or stoneware base, finished with a heavy black glaze. The vessel is approximately 8 to 10 inches tall and features a rounded body that tapers to a slightly flared, thick rim. The surface is adorned with vibrant hand-painted folk art motifs, including a prominent yellow and blue bird (resembling a stylized parrot or macaw) perched among colorful floral sprays in yellow, blue, and green. The paint appears to be an oil-based enamel or cold-paint applied after the glazing process. Notable features include the textured, slightly matte finish of the black ground and the impasto-like thickness of the yellow paint on the flowers and bird. The style reflects a provincial folk art tradition, possibly American or European. Given the context date of 1830, this aligns with the early Victorian or late Federal period where chinnoserie and naturalistic motifs were becoming popular in domestic decorative arts. Condition-wise, the piece shows visible surface wear, particularly some scaling and minor loss to the painted elements, which is common for cold-painted ceramics of this age. There are no immediate visible structural cracks or major repairs, although the footing shows some typical shelf wear and minor chipping consistent with antique use. The craftsmanship is expressive and charming, indicative of a skilled artisan rather than mass industrial production.

Estimated Value

$1,200 - $1,800

Basic Information

Category

Antique Ceramics / Folk Art

Appraised On

January 11, 2026

Estimated Value

$1,200 - $1,800

Additional Details Provided By Owner

User Provided Information

Dated 1830

Item Description

This is a substantial ovoid-shaped pottery vase, likely redware or stoneware base, finished with a heavy black glaze. The vessel is approximately 8 to 10 inches tall and features a rounded body that tapers to a slightly flared, thick rim. The surface is adorned with vibrant hand-painted folk art motifs, including a prominent yellow and blue bird (resembling a stylized parrot or macaw) perched among colorful floral sprays in yellow, blue, and green. The paint appears to be an oil-based enamel or cold-paint applied after the glazing process. Notable features include the textured, slightly matte finish of the black ground and the impasto-like thickness of the yellow paint on the flowers and bird. The style reflects a provincial folk art tradition, possibly American or European. Given the context date of 1830, this aligns with the early Victorian or late Federal period where chinnoserie and naturalistic motifs were becoming popular in domestic decorative arts. Condition-wise, the piece shows visible surface wear, particularly some scaling and minor loss to the painted elements, which is common for cold-painted ceramics of this age. There are no immediate visible structural cracks or major repairs, although the footing shows some typical shelf wear and minor chipping consistent with antique use. The craftsmanship is expressive and charming, indicative of a skilled artisan rather than mass industrial production.

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