
Mediterranean Revival Carved Wood End Table or Commode
This is a low-profile, rectangular side table or commode cabinet, likely dating from the 1960s to early 1970s. It is constructed from wood and wood veneers with a medium-to-dark oak or walnut finish. The most prominent design feature is the pair of cabinet doors on the front facade, which exhibit deep decorative carvings in a Mediterranean or Spanish Revival style, featuring scrollwork and recessed rectangular panels. The table sits on a continuous plinth base rather than legs, enhancing its sturdy, heavy appearance. The top surface is flat with a beveled edge, though it shows significant condition issues including noticeable finish wear, surface abrasions, and circular water staining near the right edge where the finish has been stripped away. The door hardware appears to be missing, leaving visible attachment points in the center of the carved panels. The overall craftsmanship is characteristic of mid-century mass-produced revivalist furniture, prioritizing bold architectural motifs and ornate textures. The piece lacks visible maker's marks in current views but identifies with brands such as Lane, Broyhill, or American of Martinsville from that era.
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Estimated Value
$75-125
Basic Information
Category
Furniture
Appraised On
May 14, 2026
Estimated Value
$75-125
Additional Details Provided By Owner
User Provided Information
Old wood side table
Item Description
This is a low-profile, rectangular side table or commode cabinet, likely dating from the 1960s to early 1970s. It is constructed from wood and wood veneers with a medium-to-dark oak or walnut finish. The most prominent design feature is the pair of cabinet doors on the front facade, which exhibit deep decorative carvings in a Mediterranean or Spanish Revival style, featuring scrollwork and recessed rectangular panels. The table sits on a continuous plinth base rather than legs, enhancing its sturdy, heavy appearance. The top surface is flat with a beveled edge, though it shows significant condition issues including noticeable finish wear, surface abrasions, and circular water staining near the right edge where the finish has been stripped away. The door hardware appears to be missing, leaving visible attachment points in the center of the carved panels. The overall craftsmanship is characteristic of mid-century mass-produced revivalist furniture, prioritizing bold architectural motifs and ornate textures. The piece lacks visible maker's marks in current views but identifies with brands such as Lane, Broyhill, or American of Martinsville from that era.
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