
Small Wheel-Thrown Earth-Tone Glazed Ceramic Bud Vase
This is a small, wheel-thrown ceramic bud vase featuring a squat, bulbous body and a short, slightly flared cylindrical neck. The vase is crafted with a textured, ribbed surface resulting from visible throwing rings, which adds organic tactile quality to the piece. It is finished in a high-gloss lead or alkaline-based glaze showcasing a rich variegated palette of earthy tones including deep chocolate brown, amber, and ochre. The glaze appears to be applied in a way that allows the darker pigment to pool in the recesses of the ribs, creating a striped or banded effect. In terms of dimensions, the item appears to be roughly 3 to 4 inches in height. The construction suggests a mid-20th-century studio pottery influence, likely dating between 1960 and 1980. The condition appears sound with no visible cracks, chips, or significant crazing, though there is high reflectivity indicating a smooth, well-preserved surface. No maker's marks are visible in the current orientation, though such pieces often feature incised signatures or stamps on the unglazed foot. The craftsmanship is consistent with functional folk art or decorative studio ceramics, emphasizing naturalistic forms and warm, autumnal color schemes.
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Estimated Value
$45 - $85
Basic Information
Category
Studio Pottery / Ceramics
Appraised On
February 5, 2026
Estimated Value
$45 - $85
Item Description
This is a small, wheel-thrown ceramic bud vase featuring a squat, bulbous body and a short, slightly flared cylindrical neck. The vase is crafted with a textured, ribbed surface resulting from visible throwing rings, which adds organic tactile quality to the piece. It is finished in a high-gloss lead or alkaline-based glaze showcasing a rich variegated palette of earthy tones including deep chocolate brown, amber, and ochre. The glaze appears to be applied in a way that allows the darker pigment to pool in the recesses of the ribs, creating a striped or banded effect. In terms of dimensions, the item appears to be roughly 3 to 4 inches in height. The construction suggests a mid-20th-century studio pottery influence, likely dating between 1960 and 1980. The condition appears sound with no visible cracks, chips, or significant crazing, though there is high reflectivity indicating a smooth, well-preserved surface. No maker's marks are visible in the current orientation, though such pieces often feature incised signatures or stamps on the unglazed foot. The craftsmanship is consistent with functional folk art or decorative studio ceramics, emphasizing naturalistic forms and warm, autumnal color schemes.
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