
Toshikane China Porcelain God of Longevity (Jurōjin) Cufflinks
This is a pair of vintage Japanese cufflinks crafted by Toshikane. The cufflinks feature the detailed porcelain heads of Jurōjin, one of the Seven Lucky Gods in Japanese mythology, often associated with longevity. Each head is meticulously hand-painted with a white beard, polychrome facial features, and a teal-colored hat adorned with gold gilt accents. The craftsmanship represents the high-quality 'fine art ceramic' work Toshikane was known for during the mid-20th century (circa 1940s-1960s). The items are presented in their original gray textured display box which includes an interior silk lining with blue/gold lettering that identifies the maker as 'Toshikane China' and mentions 'Art Ceramic' and 'Arita, Japan.' The porcelain appears to be in excellent condition with no visible chips or cracks. The painted details and gilding remain vibrant. Based on the manufacturer and style, these are highly collectible examples of Japanese export jewelry from the Showa era. The metal attachment on the reverse is not fully visible but typically consists of a silver-tone or gold-tone toggle closure common for the period.
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Estimated Value
$250 - $400
Basic Information
Category
Antique and Vintage Jewelry
Appraised On
March 16, 2026
Estimated Value
$250 - $400
Item Description
This is a pair of vintage Japanese cufflinks crafted by Toshikane. The cufflinks feature the detailed porcelain heads of Jurōjin, one of the Seven Lucky Gods in Japanese mythology, often associated with longevity. Each head is meticulously hand-painted with a white beard, polychrome facial features, and a teal-colored hat adorned with gold gilt accents. The craftsmanship represents the high-quality 'fine art ceramic' work Toshikane was known for during the mid-20th century (circa 1940s-1960s). The items are presented in their original gray textured display box which includes an interior silk lining with blue/gold lettering that identifies the maker as 'Toshikane China' and mentions 'Art Ceramic' and 'Arita, Japan.' The porcelain appears to be in excellent condition with no visible chips or cracks. The painted details and gilding remain vibrant. Based on the manufacturer and style, these are highly collectible examples of Japanese export jewelry from the Showa era. The metal attachment on the reverse is not fully visible but typically consists of a silver-tone or gold-tone toggle closure common for the period.
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