
Stained Glass Floral Sun Catcher Panel
This item is a rectangular stained glass panel featuring a geometric, stylized floral motif, likely a rose or poppy, set within a trapezoidal frame. The construction utilizes the traditional copper foil (Tiffany) technique, where glass pieces are wrapped in foil and then joined with lead-tin solder. The color palette includes opalescent glass in shades of creamy white and amber for the background, soft iridescent blues and purples for the central flower bud, and mint green streaky glass for the two symmetrical leaves. The solder lines are finished with a dark grey patina, though there is visible oxidation and unevenness in the beadwork, suggesting a hobbyist lead-work quality rather than professional high-end manufacturing. The panel is suspended by a thin black wire looped through two soldered rings at the top corners. Condition-wise, the piece shows surface grime, mineral deposits on the glass faces, and some minor pitting/corrosion on the lead lines. It appears to date from the late 20th century (circa 1970s-1990s), a period popular for home-made stained glass crafts. There are no visible maker's marks or signatures.
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Estimated Value
$45 - $65
Basic Information
Category
Art Glass / Decorative Collectibles
Appraised On
February 14, 2026
Estimated Value
$45 - $65
Item Description
This item is a rectangular stained glass panel featuring a geometric, stylized floral motif, likely a rose or poppy, set within a trapezoidal frame. The construction utilizes the traditional copper foil (Tiffany) technique, where glass pieces are wrapped in foil and then joined with lead-tin solder. The color palette includes opalescent glass in shades of creamy white and amber for the background, soft iridescent blues and purples for the central flower bud, and mint green streaky glass for the two symmetrical leaves. The solder lines are finished with a dark grey patina, though there is visible oxidation and unevenness in the beadwork, suggesting a hobbyist lead-work quality rather than professional high-end manufacturing. The panel is suspended by a thin black wire looped through two soldered rings at the top corners. Condition-wise, the piece shows surface grime, mineral deposits on the glass faces, and some minor pitting/corrosion on the lead lines. It appears to date from the late 20th century (circa 1970s-1990s), a period popular for home-made stained glass crafts. There are no visible maker's marks or signatures.
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