
Chinese Porcelain Markings
The item depicted is a section of what appears to be the unglazed or partially glazed base of a ceramic, most likely porcelain, object. The primary features are two distinct, rectangular red seals, commonly known as 'chop marks' or 'seal marks', applied in an underglaze or overglaze pigment. These marks are characteristic of traditional East Asian ceramics, particularly Chinese and Japanese ware. The background surface is an off-white to light gray, suggesting a porcelain or earthenware body, which appears somewhat unevenly finished, indicating a handmade or artisan-crafted piece rather than mass-produced uniformity. There are visible imperfections in the ceramic body, such as small bumps or inconsistencies in the surface texture, and what seems to be a light layer of dirt or residue, particularly around the lower seal. The red pigment used for the seals is somewhat faded and indistinct in places, but overall legible. Each seal contains several vertical lines of stylized characters, likely Chinese ideograms. The upper seal is oriented diagonally relative to the image frame, and the lower seal is more horizontally aligned. The condition suggests age and use, with a visible patina and general wear rather than significant damage like chips or cracks. The clarity of the marks, despite some fading, indicates a relatively good state of preservation for identifying the maker or period. These marks are crucial for attributing the ceramic piece to a specific manufacturer, studio, artist, or dynastic period.
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Estimated Value
$200-400
Basic Information
Category
Ceramic Markings
Appraised On
October 25, 2025
Estimated Value
$200-400
Item Description
The item depicted is a section of what appears to be the unglazed or partially glazed base of a ceramic, most likely porcelain, object. The primary features are two distinct, rectangular red seals, commonly known as 'chop marks' or 'seal marks', applied in an underglaze or overglaze pigment. These marks are characteristic of traditional East Asian ceramics, particularly Chinese and Japanese ware. The background surface is an off-white to light gray, suggesting a porcelain or earthenware body, which appears somewhat unevenly finished, indicating a handmade or artisan-crafted piece rather than mass-produced uniformity. There are visible imperfections in the ceramic body, such as small bumps or inconsistencies in the surface texture, and what seems to be a light layer of dirt or residue, particularly around the lower seal. The red pigment used for the seals is somewhat faded and indistinct in places, but overall legible. Each seal contains several vertical lines of stylized characters, likely Chinese ideograms. The upper seal is oriented diagonally relative to the image frame, and the lower seal is more horizontally aligned. The condition suggests age and use, with a visible patina and general wear rather than significant damage like chips or cracks. The clarity of the marks, despite some fading, indicates a relatively good state of preservation for identifying the maker or period. These marks are crucial for attributing the ceramic piece to a specific manufacturer, studio, artist, or dynastic period.
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