
Japanese Sumi-e Style Persimmon Branch Painting
This is a framed watercolor or sumi-e style painting depicting a branch laden with persimmons and leaves. The physical characteristics suggest it is a relatively small artwork, likely encased in a simple wooden frame. The frame appears to be made of a light-colored wood, possibly oak or pine, with a visible grain and a natural, unstained finish. The corners of the frame are mitered. The artwork itself is rendered on a light, possibly cream or beige-colored paper or thin board, which shows some subtle texture, typical of rice paper or absorbent watercolor paper. The colors used are muted and earthy, characteristic of traditional East Asian ink wash painting. The persimmons are depicted in shades of pale yellow and orange, with subtle green undertones, suggesting ripeness. The leaves are rendered in various shades of green, some appearing faded or autumn-tinged, with visible vein details. The branches are painted with bold, dark, calligraphic brushstrokes, showcasing the artist's control over ink. One prominent branch swoops dramatically across the left side of the composition. In the lower left corner, there is a visible signature, appearing to be in ink, 'Hiroko', followed by a red square chop mark (artist's seal), a common feature in East Asian art. The condition of the painting appears good, with no obvious tears or significant discoloration, though the paper might have some slight age-related toning. The frame also seems to be in good condition with minor wear consistent with its age. The style suggests a 20th-century or contemporary creation, drawing heavily from traditional Japanese or Chinese painting techniques, emphasizing natural forms and skilled brushwork. The quality is indicative of thoughtful craftsmanship, particularly in the fluid and confident ink lines.
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Estimated Value
$300-500
Basic Information
Category
Art - Painting
Appraised On
November 8, 2025
Estimated Value
$300-500
Item Description
This is a framed watercolor or sumi-e style painting depicting a branch laden with persimmons and leaves. The physical characteristics suggest it is a relatively small artwork, likely encased in a simple wooden frame. The frame appears to be made of a light-colored wood, possibly oak or pine, with a visible grain and a natural, unstained finish. The corners of the frame are mitered. The artwork itself is rendered on a light, possibly cream or beige-colored paper or thin board, which shows some subtle texture, typical of rice paper or absorbent watercolor paper. The colors used are muted and earthy, characteristic of traditional East Asian ink wash painting. The persimmons are depicted in shades of pale yellow and orange, with subtle green undertones, suggesting ripeness. The leaves are rendered in various shades of green, some appearing faded or autumn-tinged, with visible vein details. The branches are painted with bold, dark, calligraphic brushstrokes, showcasing the artist's control over ink. One prominent branch swoops dramatically across the left side of the composition. In the lower left corner, there is a visible signature, appearing to be in ink, 'Hiroko', followed by a red square chop mark (artist's seal), a common feature in East Asian art. The condition of the painting appears good, with no obvious tears or significant discoloration, though the paper might have some slight age-related toning. The frame also seems to be in good condition with minor wear consistent with its age. The style suggests a 20th-century or contemporary creation, drawing heavily from traditional Japanese or Chinese painting techniques, emphasizing natural forms and skilled brushwork. The quality is indicative of thoughtful craftsmanship, particularly in the fluid and confident ink lines.
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