
Asian Lacquer and Mother of Pearl Inlaid Dragon Wall Panel
This is a high-quality decorative wall panel featuring a prominent East Asian dragon rendered in meticulous mother of pearl (nacre) inlay against a polished black lacquer background. The dragon is depicted in a dynamic, vertical posture, snaking through stylized clouds (ruyi-style). The craftsmanship is characteristic of Korean 'Najeon Chilgi' or similar Chinese lacquerware techniques, utilizing extremely thin slices of iridescent shell to create texture, scales, and fine lines. The shell exhibits a vibrant play of color including pinks, greens, and silvers. To the right, four vertical lines of Chinese calligraphy are inlaid in a similar shell material, which adds poetic or titular context to the piece. The panel is housed in a simple, gold-toned wooden frame. Note the fine incised lines on the dragon's whiskers and fins, indicating high-level artisanal skill. The overall condition appears excellent with no visible lifting of the inlay or significant cracking of the lacquer surface, though minor surface dust and light reflections are present. This style of work gained significant popularity in the mid-20th century but follows traditional techniques dating back centuries.
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Estimated Value
$600 - $900
Basic Information
Category
Asian Antiques and Decorative Arts
Appraised On
February 22, 2026
Estimated Value
$600 - $900
Additional Details Provided By Owner
User Provided Information
In laid mother Pearl
Item Description
This is a high-quality decorative wall panel featuring a prominent East Asian dragon rendered in meticulous mother of pearl (nacre) inlay against a polished black lacquer background. The dragon is depicted in a dynamic, vertical posture, snaking through stylized clouds (ruyi-style). The craftsmanship is characteristic of Korean 'Najeon Chilgi' or similar Chinese lacquerware techniques, utilizing extremely thin slices of iridescent shell to create texture, scales, and fine lines. The shell exhibits a vibrant play of color including pinks, greens, and silvers. To the right, four vertical lines of Chinese calligraphy are inlaid in a similar shell material, which adds poetic or titular context to the piece. The panel is housed in a simple, gold-toned wooden frame. Note the fine incised lines on the dragon's whiskers and fins, indicating high-level artisanal skill. The overall condition appears excellent with no visible lifting of the inlay or significant cracking of the lacquer surface, though minor surface dust and light reflections are present. This style of work gained significant popularity in the mid-20th century but follows traditional techniques dating back centuries.
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