Carved and Painted Figurine with Staff and Scroll

This item is a meticulously carved figurine, likely depicting an Asian elder or deity, presented with intricate details and a distinct decorative base. The primary material appears to be a light-colored, possibly bone or ivory-like substance, given its smooth texture and subtle striations visible in some areas. The figurine is adorned with robes featuring a complex pattern of hand-painted floral motifs in soft pinks and greys, geometric patterns resembling basket weave or tile work, and stylized organic shapes. A sash or belt is tied around the waist, depicted with naturalistic folds. The figure holds a staff or walking stick in one hand, which shows a naturalistic, gnarled texture, and a rolled scroll in the other, suggesting a scholar, teacher, or revered figure. The base upon which the figure stands is circular, made from the same material, and features a mosaic-like pattern of rectangular segments. The edge of the base is further decorated with a repeating geometric border. A significant distinguishing mark is present on the top surface of the base, adjacent to the figure's feet: a square 'chop mark' or signature, possibly indicating the artist or workshop. The overall condition appears excellent, with no visible chips, cracks, or significant wear. The paintwork seems largely intact, though some very minor discoloration may be present consistent with age and handling. The craftsmanship appears to be of high quality, with fine attention to detail in the carving and painting, suggesting a piece created by a skilled artisan. Given the artistic style and the materials, it likely dates from the early to mid-20th century or earlier, though without specific markings or provenance, a precise age is difficult to ascertain. While the 'Lladro brand' was mentioned in the context, this piece does not bear the typical glazes or style of Lladro porcelain, suggesting it is either an unrelated carved piece or potentially a very early or unusual Lladro-commissioned work in a different medium, though the latter is less likely given the visible material and carving.