
Art Nouveau Bohemian Cranberry Glass Trinket Box
This is a fine example of an Art Nouveau period trinket or dresser box, dating approximately from the late 19th to early 20th century (circa 1890-1910). The box is constructed from vibrant cranberry-colored glass, likely of Bohemian origin. It features a squat, bulbous body with a matching domed lid, connected by a hinged brass or gilt-metal collar. The most striking feature is the elaborate Art Nouveau gilding applied to both the lid and the base, consisting of stylized, organic whiplash motifs and fan-shaped floral or shell-like elements. The gilding is etched or hand-painted with high-quality gold leaf. In terms of condition, the glass appears structurally sound with no visible cracks or significant chips, though there is a noticeable loss of gilding on the high-relief areas of the lid and base due to age and handling. The metal collar shows a darkened patina and slight oxidation, which is consistent with its age. No maker's marks are visible in this orientation, but the craftsmanship suggests a high-end European manufacturer such as Moser or Harrach. The piece exhibits excellent hand-blown quality and intricate decorative detail characteristic of the fin de siècle aesthetic.
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Estimated Value
$450 - $650
Basic Information
Category
Antique Glassware / Decorative Arts
Appraised On
January 24, 2026
Estimated Value
$450 - $650
Item Description
This is a fine example of an Art Nouveau period trinket or dresser box, dating approximately from the late 19th to early 20th century (circa 1890-1910). The box is constructed from vibrant cranberry-colored glass, likely of Bohemian origin. It features a squat, bulbous body with a matching domed lid, connected by a hinged brass or gilt-metal collar. The most striking feature is the elaborate Art Nouveau gilding applied to both the lid and the base, consisting of stylized, organic whiplash motifs and fan-shaped floral or shell-like elements. The gilding is etched or hand-painted with high-quality gold leaf. In terms of condition, the glass appears structurally sound with no visible cracks or significant chips, though there is a noticeable loss of gilding on the high-relief areas of the lid and base due to age and handling. The metal collar shows a darkened patina and slight oxidation, which is consistent with its age. No maker's marks are visible in this orientation, but the craftsmanship suggests a high-end European manufacturer such as Moser or Harrach. The piece exhibits excellent hand-blown quality and intricate decorative detail characteristic of the fin de siècle aesthetic.
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