
Found Object Assemblage Sculpture
This is an assemblage art sculpture, constructed primarily from found objects. The main body of the piece appears to be a cylindrical segment of wood, likely a fallen tree branch, with the bark partially intact and exhibiting a rich, dark brown color with visible grain texture. A prominent feature is the use of an old paintbrush, with a blue handle showing significant wear and paint residue, positioned vertically on the front of the wooden segment, serving as a 'nose' or central facial feature. The 'eyes' are represented by two metal buttons or fasteners. Metal chains draped around the top portion act as 'hair', interspersed with strings of glass and possibly ceramic beads in earthy tones of red, white, and blue. A small metal component is positioned horizontally below the paintbrush, suggesting a 'mouth'. Two small, swivel caster wheels are attached to the bottom, serving as 'feet'. The piece shows expected wear and patina consistent with the age and origin of the repurposed materials. There are no discernible maker's marks or signatures visible in the image, which is common with found object art. The overall aesthetic leans towards folk art or outsider art, with a whimsical and anthropomorphic quality.
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Estimated Value
$150-300
Basic Information
Category
Assemblage Art Sculpture
Appraised On
August 27, 2025
Estimated Value
$150-300
Item Description
This is an assemblage art sculpture, constructed primarily from found objects. The main body of the piece appears to be a cylindrical segment of wood, likely a fallen tree branch, with the bark partially intact and exhibiting a rich, dark brown color with visible grain texture. A prominent feature is the use of an old paintbrush, with a blue handle showing significant wear and paint residue, positioned vertically on the front of the wooden segment, serving as a 'nose' or central facial feature. The 'eyes' are represented by two metal buttons or fasteners. Metal chains draped around the top portion act as 'hair', interspersed with strings of glass and possibly ceramic beads in earthy tones of red, white, and blue. A small metal component is positioned horizontally below the paintbrush, suggesting a 'mouth'. Two small, swivel caster wheels are attached to the bottom, serving as 'feet'. The piece shows expected wear and patina consistent with the age and origin of the repurposed materials. There are no discernible maker's marks or signatures visible in the image, which is common with found object art. The overall aesthetic leans towards folk art or outsider art, with a whimsical and anthropomorphic quality.
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