
Dehua 'Blanc de Chine' Porcelain Guanyin on Foo Dog
This is a white monochrome porcelain figure, likely of Dehua manufacture (Blanc de Chine), depicting a female immortal, possibly Guanyin or another Daoist deity, seated atop a mythical Foo Dog (Lion Dog). The figure stands approximately 10 to 12 inches tall and is characterized by a creamy, milky-white glaze that is typical of Fujian province ceramics. The deity is portrayed with a serene expression, hair styled in a high bun, and draped in flowing robes with crisp, deeply carved folds. Her left hand holds a scroll, while her right arm is raised, holding the hem of her sleeve or a fly-whisk. The Foo Dog at the base is rendered with traditional features including a broad nose, curly mane, and an open mouth. The glaze is thick and lustrous, showing some accumulation in the recessed areas. Construction is likely a hollow mold-cast with hand-finished details. No visible maker's marks are apparent in the provided image. The condition appears fair with some scattered surface grime and potential minor flea bites or surface scratches consistent with use. Based on the sculptural style and glaze quality, the piece appears to be a 20th-century revival in the Qing dynasty style.
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Estimated Value
$600-$900
Basic Information
Category
Asian Art & Antiques
Appraised On
January 9, 2026
Estimated Value
$600-$900
Item Description
This is a white monochrome porcelain figure, likely of Dehua manufacture (Blanc de Chine), depicting a female immortal, possibly Guanyin or another Daoist deity, seated atop a mythical Foo Dog (Lion Dog). The figure stands approximately 10 to 12 inches tall and is characterized by a creamy, milky-white glaze that is typical of Fujian province ceramics. The deity is portrayed with a serene expression, hair styled in a high bun, and draped in flowing robes with crisp, deeply carved folds. Her left hand holds a scroll, while her right arm is raised, holding the hem of her sleeve or a fly-whisk. The Foo Dog at the base is rendered with traditional features including a broad nose, curly mane, and an open mouth. The glaze is thick and lustrous, showing some accumulation in the recessed areas. Construction is likely a hollow mold-cast with hand-finished details. No visible maker's marks are apparent in the provided image. The condition appears fair with some scattered surface grime and potential minor flea bites or surface scratches consistent with use. Based on the sculptural style and glaze quality, the piece appears to be a 20th-century revival in the Qing dynasty style.
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