What We Hear in Music book by Anne Shaw Faulkner

This is a vintage educational textbook titled ‘What We Hear in Music: A Course of Study in Music Appreciation and History,’ authored by Anne Shaw Faulkner (Mrs. Marx E. Oberndorfer). The book was published by the Educational Department of the RCA Victor Division, Radio Corporation of America, based in Camden, New Jersey. The title page features the iconic RCA logo and the 'His Master's Voice' logo picturing Nipper the dog. The paper appears to be a cream-colored, medium-weight stock with black serif typography. The construction includes a green textured endpaper visible on the left. Based on the publisher's name 'RCA Victor Division,' this specific edition likely dates from the 1930s to the 1950s. A notable marking includes a light pencil inscription at the top of the title page showing a previous owner's name and address in Seattle. The page shows minor yellowing and softening of the edges consistent with age (patina), but the text remains crisp and the paper appears well-preserved without significant foxing or tearing. This book served as a standard pedagogical tool for high schools, colleges, and conservatories during the mid-20th century.

I have virtually examined this copy of Anne Shaw Faulkner's 'What We Hear in Music,' published by the RCA Victor Division. Based on the provided imagery, the book appears to be an authentic mid-century edition, specifically dating between 1929 and the late 1940s based on the RCA Victor imprint. The title page is remarkably clean, showing only light age-toning and a pencil inscription that does not detract significantly from the aesthetic. The edges show minor softening, but the paper integrity appears high with no evidence of brittle edges or significant foxing. This text was a cornerstone of American music education and was printed in very large quantities to supply schools and conservatories nationwide. While it is an excellent piece of cultural history and attractive to collectors of RCA Victor memorabilia or musicology enthusiasts, its high original circulation limits its rarity. Comparable sales for similar editions in this condition typically fall in the modest $15 to $35 range. Factors that could slightly elevate value include the presence of a pristine dust jacket or evidence of a specific, notable provenance. Limitations of this digital appraisal include the inability to inspect the spine's structural integrity, the completeness of all pages, or the presence of any underlying water damage or odors. A full physical authentication would require a tactile inspection of the binding, a page-by-page collation to ensure no plates are missing, and a verification of the ink type via ultraviolet light to rule out modern facsimiles, though the paper texture seen here strongly suggests period-correct materials.