
Mid-Century Thai Bronze and Rosewood Dessert Knife Set
This set consists of three vintage dinner or dessert knives featuring solid bronze blades and dark wood handles, likely rosewood or teak. The blades exhibit a golden-toned bronze finish with a characteristic curved silhouette and a serrated edge on one side. The handles are constructed with a tapered wooden grip secured by two small brass or bronze rivets, bookended by a decorative bronze bolster and a pointed bronze pommel cap. These knives are typical of mid-century Siamese or Thai craftsmanship, popular between the 1950s and 1970s. The condition shows significant signs of age and use, including heavy surface tarnish, oxidation spotting, and uneven patina across the bronze surfaces. There are visible scratches on the metal consistent with frequent sharpening and cleaning. While no specific maker’s mark is visible in the provided image, items of this style were frequently produced by manufacturers such as S. Samran in Thailand. The craftsmanship represents a fusion of traditional Southeast Asian material use with modernist aesthetic influences, characterized by the sleek transitions between the metal and wood components.
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Estimated Value
$45 - $65
Basic Information
Category
Vintage Flatware / Kitchenware
Appraised On
March 16, 2026
Estimated Value
$45 - $65
Item Description
This set consists of three vintage dinner or dessert knives featuring solid bronze blades and dark wood handles, likely rosewood or teak. The blades exhibit a golden-toned bronze finish with a characteristic curved silhouette and a serrated edge on one side. The handles are constructed with a tapered wooden grip secured by two small brass or bronze rivets, bookended by a decorative bronze bolster and a pointed bronze pommel cap. These knives are typical of mid-century Siamese or Thai craftsmanship, popular between the 1950s and 1970s. The condition shows significant signs of age and use, including heavy surface tarnish, oxidation spotting, and uneven patina across the bronze surfaces. There are visible scratches on the metal consistent with frequent sharpening and cleaning. While no specific maker’s mark is visible in the provided image, items of this style were frequently produced by manufacturers such as S. Samran in Thailand. The craftsmanship represents a fusion of traditional Southeast Asian material use with modernist aesthetic influences, characterized by the sleek transitions between the metal and wood components.
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