
Framed Silk-Screen Print of Eight $2 Bills
This item is a framed silk-screen print depicting an uncut sheet of eight United States two-dollar bills, arranged in two vertical columns of four. The artwork is executed in a monochrome black ink on a light beige or off-white paper substrate. The imagery utilizes a high-contrast, graphic style reminiscent of Pop Art, specifically the work of Andy Warhol, though it lacks an immediate visible signature in this view. Each printed bill mimics the standard layout featuring Thomas Jefferson's portrait, the Federal Reserve seal for New York (indicated by 'B'), and various serial numbers. The print quality shows intentional artistic grit, with uneven ink saturation and minor splatters that suggest a manual screen-printing process rather than mechanical lithography. The paper appears to have some light age-related toning and subtle rippling within the frame. It is presented in a modern, slim black wooden or composite frame with a simple profile. There are visible reflections on the glass, indicating it is not museum-grade anti-reflective glass. The overall condition appears stable, though there are faint smudges on the margins and some softening of the edges of the paper sheet. The work serves as a commentary on currency, mass production, and value, typical of mid-to-late 20th-century contemporary art themes.
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Estimated Value
$600 - $900
Basic Information
Category
Fine Art / Contemporary Prints
Appraised On
January 21, 2026
Estimated Value
$600 - $900
Item Description
This item is a framed silk-screen print depicting an uncut sheet of eight United States two-dollar bills, arranged in two vertical columns of four. The artwork is executed in a monochrome black ink on a light beige or off-white paper substrate. The imagery utilizes a high-contrast, graphic style reminiscent of Pop Art, specifically the work of Andy Warhol, though it lacks an immediate visible signature in this view. Each printed bill mimics the standard layout featuring Thomas Jefferson's portrait, the Federal Reserve seal for New York (indicated by 'B'), and various serial numbers. The print quality shows intentional artistic grit, with uneven ink saturation and minor splatters that suggest a manual screen-printing process rather than mechanical lithography. The paper appears to have some light age-related toning and subtle rippling within the frame. It is presented in a modern, slim black wooden or composite frame with a simple profile. There are visible reflections on the glass, indicating it is not museum-grade anti-reflective glass. The overall condition appears stable, though there are faint smudges on the margins and some softening of the edges of the paper sheet. The work serves as a commentary on currency, mass production, and value, typical of mid-to-late 20th-century contemporary art themes.
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