
Blue and White Chinoiserie Transferware Vase
This is a blue and white transferware vase, likely made of porcelain or earthenware, featuring an orientalist or Chinoiserie landscape scene. Its form is somewhat ovoid, tapering slightly towards a narrower base and flaring at the rim. The rim itself is curvaceous, with a subtle scalloped edge that adds to its decorative appeal. The primary color scheme is white with various shades of cobalt blue, characteristic of traditional transferware. The decoration includes elaborate architectural elements such as pagodas and pavilions, lush stylized trees, and figures, possibly in traditional Chinese or Japanese attire, engaged in various activities within a landscape. There are visible floral motifs and intricate borders near the neck and base. The base has a circular blue pattern, possibly a stylized flower or a manufacturer's mark, though it is not clearly legible. The vase appears to be in 'very good' condition as noted in the provided text, suggesting minimal visible wear, chips, cracks, or repairs. The craftsmanship appears to be commercially produced, possibly from the 19th or early 20th century, given the prevalent style of blue and white pottery during that period. The overall quality seems consistent with mass-produced decorative ceramics of the era.
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Estimated Value
$100-200
Basic Information
Category
Ceramic Decorative Arts
Appraised On
August 28, 2025
Estimated Value
$100-200
Item Description
This is a blue and white transferware vase, likely made of porcelain or earthenware, featuring an orientalist or Chinoiserie landscape scene. Its form is somewhat ovoid, tapering slightly towards a narrower base and flaring at the rim. The rim itself is curvaceous, with a subtle scalloped edge that adds to its decorative appeal. The primary color scheme is white with various shades of cobalt blue, characteristic of traditional transferware. The decoration includes elaborate architectural elements such as pagodas and pavilions, lush stylized trees, and figures, possibly in traditional Chinese or Japanese attire, engaged in various activities within a landscape. There are visible floral motifs and intricate borders near the neck and base. The base has a circular blue pattern, possibly a stylized flower or a manufacturer's mark, though it is not clearly legible. The vase appears to be in 'very good' condition as noted in the provided text, suggesting minimal visible wear, chips, cracks, or repairs. The craftsmanship appears to be commercially produced, possibly from the 19th or early 20th century, given the prevalent style of blue and white pottery during that period. The overall quality seems consistent with mass-produced decorative ceramics of the era.
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