Japanese Ukiyo-e Woodblock Print of Two Bijin (Beautiful Women)
Fine Art - Asian Prints

Japanese Ukiyo-e Woodblock Print of Two Bijin (Beautiful Women)

This is a framed Japanese ukiyo-e color woodblock print, likely dating from the mid-to-late 19th century (Edo or early Meiji period). The composition depicts two 'bijin' or beautiful women in an outdoor landscape setting near water. They are dressed in elaborate, multi-layered kimonos featuring intricate floral and geometric patterns in shades of green, red, blue, and pink. The print showcases classic ukiyo-e characteristics, including elegant linear work, flat areas of color, and stylized facial features. To the left, a rectangular cartouche contains Japanese calligraphy, possibly the title or series name, while the lower right corner features several artist and publisher seals, which are critical for specific identification. The paper shows age-related toning (yellowing) and some minor undulations under the glass. The color saturation remains relatively strong, though some fading is evident in the lighter pigments. The print is presented within a cream-colored mat and a dark, possibly black-lacquered wooden frame. The frame shows minor surface wear, including small nicks and scratches on the edges. The registration of the woodblocks appears precise, indicating a high level of craftsmanship consistent with professional publishing houses of the period.

Estimated Value

$400 - $650

Basic Information

Category

Fine Art - Asian Prints

Appraised On

March 19, 2026

Estimated Value

$400 - $650

Item Description

This is a framed Japanese ukiyo-e color woodblock print, likely dating from the mid-to-late 19th century (Edo or early Meiji period). The composition depicts two 'bijin' or beautiful women in an outdoor landscape setting near water. They are dressed in elaborate, multi-layered kimonos featuring intricate floral and geometric patterns in shades of green, red, blue, and pink. The print showcases classic ukiyo-e characteristics, including elegant linear work, flat areas of color, and stylized facial features. To the left, a rectangular cartouche contains Japanese calligraphy, possibly the title or series name, while the lower right corner features several artist and publisher seals, which are critical for specific identification. The paper shows age-related toning (yellowing) and some minor undulations under the glass. The color saturation remains relatively strong, though some fading is evident in the lighter pigments. The print is presented within a cream-colored mat and a dark, possibly black-lacquered wooden frame. The frame shows minor surface wear, including small nicks and scratches on the edges. The registration of the woodblocks appears precise, indicating a high level of craftsmanship consistent with professional publishing houses of the period.

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