
Tlingit-style Coastal Indigenous Totemic Moon Mask Print
This is a circular serigraph or high-quality art print featuring Northwest Coast Indigenous iconography, specifically rendered in the 'Formline' style characteristic of the Tlingit, Haida, or Tsimshian peoples. The central subject is a totemic face, likely representing the Moon or a Sun spirit, characterized by wide secondary eyes, a prominent nose beak, and a bared-teeth grimace showing individual rectangular teeth. The color palette is traditional, utilizing deep carbon black for primary formlines, accented with terracotta red and a pale cerulean blue. The design is symmetrically balanced within a circular frame, suggesting it may be a representation of a traditional wooden spindle whorl or a ceremonial mask. Constructed on light-cream or off-white heavy paper stock, the artwork is professionally matted and framed under glass. Fine lines at the bottom of the circular image indicate a pencil signature and possible edition number, which are often found on contemporary Indigenous prints from the late 20th century (approx. 1970s–1990s). The craftsmanship displays precise line weight and expert use of ovoid and U-form shapes. The condition appears fair to good; while the print colors remain vibrant, there is a prominent circular glare and reflection on the glass surface indicating it is currently housed in a standard reflective glazing. No visible foxing or water damage is noted on the paper itself, though the frame edges are partially obscured.
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Estimated Value
$450.00 - $700.00
Basic Information
Category
Native American / First Nations Fine Art
Appraised On
March 18, 2026
Estimated Value
$450.00 - $700.00
Item Description
This is a circular serigraph or high-quality art print featuring Northwest Coast Indigenous iconography, specifically rendered in the 'Formline' style characteristic of the Tlingit, Haida, or Tsimshian peoples. The central subject is a totemic face, likely representing the Moon or a Sun spirit, characterized by wide secondary eyes, a prominent nose beak, and a bared-teeth grimace showing individual rectangular teeth. The color palette is traditional, utilizing deep carbon black for primary formlines, accented with terracotta red and a pale cerulean blue. The design is symmetrically balanced within a circular frame, suggesting it may be a representation of a traditional wooden spindle whorl or a ceremonial mask. Constructed on light-cream or off-white heavy paper stock, the artwork is professionally matted and framed under glass. Fine lines at the bottom of the circular image indicate a pencil signature and possible edition number, which are often found on contemporary Indigenous prints from the late 20th century (approx. 1970s–1990s). The craftsmanship displays precise line weight and expert use of ovoid and U-form shapes. The condition appears fair to good; while the print colors remain vibrant, there is a prominent circular glare and reflection on the glass surface indicating it is currently housed in a standard reflective glazing. No visible foxing or water damage is noted on the paper itself, though the frame edges are partially obscured.
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