
Satsuma Ware Ceramic Vase Base with Maker's Mark
This image features the underside of a ceramic object, specifically identified as the base of a Japanese Satsuma-style vase. The material is a fine-grained, cream-colored earthenware or stoneware, characterized by a dense network of uniform 'crackelure' or fine crazing across the glazed surface, which is a hallmark of Satsuma pottery typically dating from the Meiji period (1868-1912) to the mid-20th century. Centered on the base is a hand-painted iron-red (benigaki) two-character mark, likely representing the artist's name or the studio (kiln) of origin; the calligraphy appears to be a simplified or cursive style of kanji. The surface exhibits certain condition issues consistent with age, including scattered dark pitting (carbon spots or pinholes from the firing process) and some surface soiling or mild discoloration within the crazing lines. The texture indicates a high-quality glaze application over a buff-colored body. There are no visible chips or structural cracks in the segment shown, though the presence of the maker's mark suggests this was a piece of decorative art rather than utilitarian domestic ware. The brownish-red pigment of the signature is slightly raised, suggesting it was applied over or within the glaze layer before a final firing.
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Estimated Value
$450 - $650
Basic Information
Category
Asian Antiques - Japanese Ceramics
Appraised On
March 14, 2026
Estimated Value
$450 - $650
Additional Details Provided By Owner
User Provided Information
Base of Vase
Item Description
This image features the underside of a ceramic object, specifically identified as the base of a Japanese Satsuma-style vase. The material is a fine-grained, cream-colored earthenware or stoneware, characterized by a dense network of uniform 'crackelure' or fine crazing across the glazed surface, which is a hallmark of Satsuma pottery typically dating from the Meiji period (1868-1912) to the mid-20th century. Centered on the base is a hand-painted iron-red (benigaki) two-character mark, likely representing the artist's name or the studio (kiln) of origin; the calligraphy appears to be a simplified or cursive style of kanji. The surface exhibits certain condition issues consistent with age, including scattered dark pitting (carbon spots or pinholes from the firing process) and some surface soiling or mild discoloration within the crazing lines. The texture indicates a high-quality glaze application over a buff-colored body. There are no visible chips or structural cracks in the segment shown, though the presence of the maker's mark suggests this was a piece of decorative art rather than utilitarian domestic ware. The brownish-red pigment of the signature is slightly raised, suggesting it was applied over or within the glaze layer before a final firing.
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