
Mid-Century Modern High-Back Wing Chair with Box-Pleated Skirt
This is a vintage high-back wing chair, characteristic of mid-20th-century American furniture design, likely dating from the 1960s to early 1970s. The chair features a prominent, tall backrest with dramatic side wings that curve into integrated rolled arms. It is fully upholstered in a textured, chartreuse or mustard-yellow crushed velvet fabric, which exhibits a distinctive sheen and irregular pile typical of the era. A notable design element is the heavy box-pleated skirt (pan-pleated) that conceals the legs, providing a structured, traditional aesthetic. The seat consists of a thick, reversible box cushion with self-welting along the seams. Construction appears robust, though the visible upholstery shows significant signs of age and wear. There is noticeable matting of the velvet pile, particularly on the seat and armrests, along with some staining and darkening consistent with long-term use. The silhouette is typical of brands like Ethan Allen or Pennsylvania House from that period. The craftsmanship is evidenced by the detailed pleating and structural integrity of the frame, though the piece currently presents in 'as-found' condition and would benefit from professional cleaning or reupholstery to restore its original luster.
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Estimated Value
$250 - $450
Basic Information
Category
Furniture - Seating
Appraised On
May 7, 2026
Estimated Value
$250 - $450
Item Description
This is a vintage high-back wing chair, characteristic of mid-20th-century American furniture design, likely dating from the 1960s to early 1970s. The chair features a prominent, tall backrest with dramatic side wings that curve into integrated rolled arms. It is fully upholstered in a textured, chartreuse or mustard-yellow crushed velvet fabric, which exhibits a distinctive sheen and irregular pile typical of the era. A notable design element is the heavy box-pleated skirt (pan-pleated) that conceals the legs, providing a structured, traditional aesthetic. The seat consists of a thick, reversible box cushion with self-welting along the seams. Construction appears robust, though the visible upholstery shows significant signs of age and wear. There is noticeable matting of the velvet pile, particularly on the seat and armrests, along with some staining and darkening consistent with long-term use. The silhouette is typical of brands like Ethan Allen or Pennsylvania House from that period. The craftsmanship is evidenced by the detailed pleating and structural integrity of the frame, though the piece currently presents in 'as-found' condition and would benefit from professional cleaning or reupholstery to restore its original luster.
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