William Eggleston, Memphis, Tennessee (Dolls on Cadillac Trunk), 1973
Fine Art Photograph

William Eggleston, Memphis, Tennessee (Dolls on Cadillac Trunk), 1973

This is a framed William Eggleston dye-transfer photograph titled 'Memphis, Tennessee', dated 1973. It depicts a collection of approximately ten dolls, primarily baby dolls, arranged on what appears to be the trunk of a light-colored vehicle, prominently featuring a Cadillac emblem with a wreath and crest in the center foreground. The dolls vary in size, dress, and pose, with several baby dolls in white or light-colored dresses, some with bonnets or veils, and at least one doll in a darker, possibly red, garment. The background is a muted purple or blue, indicative of an outdoor setting under a sky. The photograph is known for its vibrantly saturated colors, characteristic of the dye-transfer process, a technique Eggleston often employed to achieve rich, continuous tones rather than the dot-matrix patterns of other printing methods. Visible color depth and subtle variations across the dolls' clothing and the car's surface suggest high-quality photographic printing. The frame is a slender, possibly gilded, wooden frame with a classic profile, showing minor wear consistent with its age. The visible signature 'William Eggleston' is located in the bottom right corner of the print. The condition of the print appears good, with no obvious signs of fading, tears, creases, or major damage, though a closer inspection would be required to confirm the integrity of the dye-transfer colors over time, as they can be susceptible to fading if not properly preserved. The composition and subject matter–mundane Americana rendered with intense, almost surreal color–are hallmarks of Eggleston's groundbreaking photographic style.

Estimated Value

$180,000 - $250,000

Basic Information

Category

Fine Art Photograph

Appraised On

August 28, 2025

Estimated Value

$180,000 - $250,000

Additional Details Provided By Owner

User Provided Information

Based on the information provided and the visual evidence from the photograph, here is a more comprehensive analysis, including potential additional information and points of verification: Analysis of the Photograph: * Artist and Signature: The photograph is stated to be signed by William Eggleston. The signature is described as being on the bottom right. The style of the signature and its location would need to be compared with known, authenticated examples of Eggleston's signature to verify its authenticity. * Medium: The medium is identified as a "Dye Transfer Photograph." This is a key detail. Eggleston is famous for his pioneering use of the dye-transfer process, a highly saturated and labor-intensive method that produced vibrant, long-lasting prints. The description "Die Transfer Ink Dots Visible" is consistent with this process, as it is known for its rich, continuous tones rather than the dot-matrix patterns of other printing methods. Verifying this would involve close examination, possibly with a loupe, to confirm the characteristic continuous-tone quality of a dye transfer print. * Subject Matter: The photograph depicts a collection of dolls, mostly baby dolls, arranged on what appears to be the trunk of a car. The prominent emblem in the center, a wreath and crest, is characteristic of a Cadillac. This subject matter—mundane, everyday scenes rendered with intense, almost surreal color—is a hallmark of Eggleston's work, particularly his focus on the American South. The style is very much in line with his body of work. * Dating: The photograph is dated to 1973. This places it squarely in the period of Eggleston's most influential work, including the images that would later be featured in his groundbreaking 1976 exhibition at the Museum of Modern Art, William Eggleston's Guide. * Provenance and Edition: * Limited Edition: The claim that "One of only 15 of these type that exist" refers to a very small edition size for a dye-transfer print. This would make it highly rare and valuable if true. This information would need to be verified through a print's unique edition number, which is usually written on the print itself, typically near the signature (e.g., 5/15). * Everest Gallery: The sticker on the back of the frame indicating "EVEREST GALLERY 4976 SUMMER AVE • MEMPHIS, TN" provides a crucial piece of provenance. This links the photograph to a specific gallery in Memphis, the artist's hometown. This information could be used to research the gallery and its history with William Eggleston to confirm a connection. Potential Missing Information and Verification Steps: * Edition Number: As mentioned above, the specific edition number (e.g., 5/15) is critical for authenticating a limited-edition print. This detail is not mentioned. * Authentication Documentation: A high-value art piece like this would ideally come with a Certificate of Authenticity (COA) from a reputable source, such as a major gallery, an art expert specializing in Eggleston's work, or the Eggleston Foundation itself. * Condition Report: Information on the photograph's condition is missing. This would include details about any fading, tears, creases, or damage to the print and the frame. The color integrity is particularly important for dye-transfer prints, as they can be susceptible to fading if not properly cared for. * Previous Ownership History: A clear record of the photograph's previous owners (its "provenance") from the time it was acquired from the gallery to the present would add significant value and credibility. * Framing Details: While the Everest Gallery sticker is on the back of the frame, details about the frame itself (e.g., type of glass, archival matting) would be relevant for assessing the print's preservation. In summary, the provided description aligns well with the characteristics of an authentic William Eggleston dye-transfer print from his key period. However, to fully authenticate and value the piece, a detailed inspection to confirm the edition number, a professional condition report, and documentation of provenance are essential missing pieces of information.

Item Description

This is a framed William Eggleston dye-transfer photograph titled 'Memphis, Tennessee', dated 1973. It depicts a collection of approximately ten dolls, primarily baby dolls, arranged on what appears to be the trunk of a light-colored vehicle, prominently featuring a Cadillac emblem with a wreath and crest in the center foreground. The dolls vary in size, dress, and pose, with several baby dolls in white or light-colored dresses, some with bonnets or veils, and at least one doll in a darker, possibly red, garment. The background is a muted purple or blue, indicative of an outdoor setting under a sky. The photograph is known for its vibrantly saturated colors, characteristic of the dye-transfer process, a technique Eggleston often employed to achieve rich, continuous tones rather than the dot-matrix patterns of other printing methods. Visible color depth and subtle variations across the dolls' clothing and the car's surface suggest high-quality photographic printing. The frame is a slender, possibly gilded, wooden frame with a classic profile, showing minor wear consistent with its age. The visible signature 'William Eggleston' is located in the bottom right corner of the print. The condition of the print appears good, with no obvious signs of fading, tears, creases, or major damage, though a closer inspection would be required to confirm the integrity of the dye-transfer colors over time, as they can be susceptible to fading if not properly preserved. The composition and subject matter–mundane Americana rendered with intense, almost surreal color–are hallmarks of Eggleston's groundbreaking photographic style.

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