Untitled (Dolls on Cadillac Trunk), Signed William Eggleston Dye Transfer Photograph

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Based on the information provided and the visual evidence from the photograph, here is a more comprehensive analysis, including potential additional information and points of verification: Analysis of the Photograph: * Artist and Signature: The photograph is authentically hand signed by William Eggleston. The signature is described as being on the bottom right. The style of the signature matches William Eggleston’s authentic original signature and autograph. * M * Artist and Signature: The photograph is authentically hand signed by William Eggleston. The signature is described as being on the bottom right. The style of the signature matches William Eggleston’s authentic original signature and autograph. * Medium: The medium is identified as a "Dye Transfer Photograph." This is a key detail. Eggleston is famous for his pioneering use of the dye-transfer process, a highly saturated and labor-intensive method that produced vibrant, long-lasting prints. The description "Die Transfer Ink Dots Visible" is consistent with this process, as it is known for its rich, continuous tones rather than the dot-matrix patterns of other printing methods. Verifying this would involve close examination, possibly with a loupe, to confirm the characteristic continuous-tone quality of a dye transfer print. * Subject Matter: The photograph depicts a collection of dolls, mostly baby dolls, arranged on what appears to be the trunk of a car. The prominent emblem in the center, a wreath and crest, is characteristic of a Cadillac. This subject matter—mundane, everyday scenes rendered with intense, almost surreal color—is a hallmark of Eggleston's work, particularly his focus on the American South. The style is very much in line with his body of work. * Dating: The photograph is dated to 1973. This places it squarely in the period of Eggleston's most influential work, including the images that would later be featured in his groundbreaking 1976 exhibition at the Museum of Modern Art, William Eggleston's Guide. * Provenance and Edition: * Limited Edition: This is "One of only 15 of these type that exist" refers to a very small edition size for a dye-transfer print. This makes it highly rare and valuable. * Everest Gallery: The sticker on the back of the frame indicating "EVEREST GALLERY 4976 SUMMER AVE • MEMPHIS, TN" provides a crucial piece of provenance. This links the photograph to a specific gallery in Memphis, the artist's hometown. This information could be used to research the gallery and its history with William Eggleston to confirm a connection. * Condition Report: Well maintained with clear William Eggleston style saturation still present but some fading likely due to aging. * Framing Details: Well preserved in professional gallery framing behind glass and correctly matted to protect the photograph. The color integrity is particularly important for dye-transfer prints, as they can be susceptible to fading if not properly cared for. * Previous Ownership History: A clear record of the photograph's previous owners (its "provenance") from the time it was acquired from the gallery to the present would add significant value and credibility. * Framing Details: While the Everest Gallery sticker is on the back of the frame, details about the frame itself (e.g., type of glass, archival matting) would be relevant for assessing the print's preservation. In summary, the provided description aligns well with the characteristics of an authentic William Eggleston dye-transfer print from his key period. However, to fully authenticate and value the piece, a detailed inspection to confirm the edition number, a professional condition report, and documentation of provenance are essential missing pieces of information.