
Chinese Ceramic 'Gong Xi Fa Cai' Fortune Boy Figurine
This is a mid-to-late 20th-century Chinese ceramic figurine of a 'Fortune Boy,' typically utilized during Lunar New Year celebrations to symbolize prosperity and good luck. The figurine is constructed from slip-cast ceramic with a glossy overglaze finish. He is depicted in a traditional 'Gong Shou' greeting pose with hands clasped together. He wears a vibrant cobalt blue cap and matching robe, accented with intricate red, green, and gold polychrome enameling along the collar and sleeves. The lower hem features a stylized wave pattern. Hanging from his clasped hands is a ruyi-shaped plaque with auspicious red Chinese characters (likely referencing 'Ruyi' or good fortune) and dangling decorative bead tassels in various colors. The facial features are delicately hand-painted with fine eyelashes and a soft 'Urna' or forehead dot. Regarding condition, the piece shows some minor surface wear and small paint losses typical of age, particularly around the edges of the base and the hanging plaque. The craftsmanship is indicative of high-volume decorative production from the 1970s-1990s, though it remains a charming example of folk-style auspicious art. There are no visible maker's marks on the exterior, though the base (not seen) may contain a stamped 'Made in China' mark.
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Estimated Value
$45.00-$75.00
Basic Information
Category
Asian Art & Collectibles / Decorative Ceramics
Appraised On
April 25, 2026
Estimated Value
$45.00-$75.00
Item Description
This is a mid-to-late 20th-century Chinese ceramic figurine of a 'Fortune Boy,' typically utilized during Lunar New Year celebrations to symbolize prosperity and good luck. The figurine is constructed from slip-cast ceramic with a glossy overglaze finish. He is depicted in a traditional 'Gong Shou' greeting pose with hands clasped together. He wears a vibrant cobalt blue cap and matching robe, accented with intricate red, green, and gold polychrome enameling along the collar and sleeves. The lower hem features a stylized wave pattern. Hanging from his clasped hands is a ruyi-shaped plaque with auspicious red Chinese characters (likely referencing 'Ruyi' or good fortune) and dangling decorative bead tassels in various colors. The facial features are delicately hand-painted with fine eyelashes and a soft 'Urna' or forehead dot. Regarding condition, the piece shows some minor surface wear and small paint losses typical of age, particularly around the edges of the base and the hanging plaque. The craftsmanship is indicative of high-volume decorative production from the 1970s-1990s, though it remains a charming example of folk-style auspicious art. There are no visible maker's marks on the exterior, though the base (not seen) may contain a stamped 'Made in China' mark.
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