
Art Nouveau Iridescent Favrile-Style Glass Pitcher/Ewer
This is a sophisticated Art Nouveau glass ewer or decorative pitcher, likely dating from the late 19th to early 20th century. The piece is crafted from iridescent blown glass, exhibiting a classic peacock or Favrile-style finish with swirling tones of amber, gold, and cream. It features a bulbous lower body that transitions into a long, vertically-ribbed neck. The most striking element is the highly decorative rim, hand-tooled into a series of organic, undulating ruffles that mimic a flower in bloom. A singular, elegant glass handle is attached at the neck and mid-body, looping gracefully outward. The piece sits upon a low, rounded foot, which appears integral to the main body. The craftsmanship reflects a high level of skill, particularly in the delicate flaring of the lip and the subtle integration of patterns within the glass. Regarding its condition, the iridescence remains vibrant, though minor surface scratches and internal sediment may be present consistent with age. There are no obvious large chips or cracks visible in the provided image, but the thinness of the ruffled edges at the top suggests a need for careful inspection for micro-clapping. This style is highly reminiscent of the work of Louis Comfort Tiffany or contemporary European makers like Loetz.
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Estimated Value
$400 - $650
Basic Information
Category
Art Glass / Antiques
Appraised On
March 21, 2026
Estimated Value
$400 - $650
Item Description
This is a sophisticated Art Nouveau glass ewer or decorative pitcher, likely dating from the late 19th to early 20th century. The piece is crafted from iridescent blown glass, exhibiting a classic peacock or Favrile-style finish with swirling tones of amber, gold, and cream. It features a bulbous lower body that transitions into a long, vertically-ribbed neck. The most striking element is the highly decorative rim, hand-tooled into a series of organic, undulating ruffles that mimic a flower in bloom. A singular, elegant glass handle is attached at the neck and mid-body, looping gracefully outward. The piece sits upon a low, rounded foot, which appears integral to the main body. The craftsmanship reflects a high level of skill, particularly in the delicate flaring of the lip and the subtle integration of patterns within the glass. Regarding its condition, the iridescence remains vibrant, though minor surface scratches and internal sediment may be present consistent with age. There are no obvious large chips or cracks visible in the provided image, but the thinness of the ruffled edges at the top suggests a need for careful inspection for micro-clapping. This style is highly reminiscent of the work of Louis Comfort Tiffany or contemporary European makers like Loetz.
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