
Japanese Ginbari Cloisonné Ginger Jar
This is a globular, small-mouthed 'ginger jar' style vessel, likely of Japanese origin, demonstrating the ginbari cloisonné technique. The body features a striking matte finish with a gradient transition from charcoal black at the base and shoulders to a warm, bronzed taupe in the center. The primary decorative motif is an oversized, multi-petaled chrysanthemum bloom rendered in vibrant gold and silver tones with fine wirework edges. Flanking the main flower are cherry blossom sprigs and dark, stylized foliage. The usage of varied metallic inlays creates a high-relief effect against the smooth body. The vessel is topped with a simple, polished metal rim that contrasts with the textured body. Physically, the item appears to be made of a base metal (likely copper or brass) with an enamel and foil overlay. The construction shows high levels of craftsmanship, particularly in the delicate wirework and the subtle ombre background. In terms of condition, there is light shelf wear on the base and some minor surface artifacts consistent with age, though no major chips, cracks, or large-scale metal oxidation are visible. Stylistically, this piece aligns with the Mid-20th Century Showa period (c. 1950s-1970s), characterized by the blending of traditional cloisonné techniques with more modern, graphic color palettes.
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Estimated Value
$450 - $650
Basic Information
Category
Asian Art and Antiques - Japanese Metalwork
Appraised On
December 19, 2025
Estimated Value
$450 - $650
Item Description
This is a globular, small-mouthed 'ginger jar' style vessel, likely of Japanese origin, demonstrating the ginbari cloisonné technique. The body features a striking matte finish with a gradient transition from charcoal black at the base and shoulders to a warm, bronzed taupe in the center. The primary decorative motif is an oversized, multi-petaled chrysanthemum bloom rendered in vibrant gold and silver tones with fine wirework edges. Flanking the main flower are cherry blossom sprigs and dark, stylized foliage. The usage of varied metallic inlays creates a high-relief effect against the smooth body. The vessel is topped with a simple, polished metal rim that contrasts with the textured body. Physically, the item appears to be made of a base metal (likely copper or brass) with an enamel and foil overlay. The construction shows high levels of craftsmanship, particularly in the delicate wirework and the subtle ombre background. In terms of condition, there is light shelf wear on the base and some minor surface artifacts consistent with age, though no major chips, cracks, or large-scale metal oxidation are visible. Stylistically, this piece aligns with the Mid-20th Century Showa period (c. 1950s-1970s), characterized by the blending of traditional cloisonné techniques with more modern, graphic color palettes.
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