Vietnamese Mother-of-Pearl Inlay Lacquer Scalloped Tray
Decorative Art / Homeware

Vietnamese Mother-of-Pearl Inlay Lacquer Scalloped Tray

This item is a decorative lacquer tray, likely from Vietnam, given the traditional Vietnamese landscape and figures depicted. It features a unique scalloped or wavy edge, giving it an ornamental rather than purely functional appearance. The primary material appears to be wood, meticulously coated with multiple layers of a rich, reddish-brown lacquer that deepens to a darker brown or black towards the scalloped edges, creating an attractive gradient effect. The central design is achieved through intricate mother-of-pearl inlay (Ngoc Trai Khảm), a hallmark of Vietnamese lacquerware. The inlay vividly portrays a serene landscape scene. A prominent architectural structure, possibly a temple or traditional pagoda, stands centrally on what appears to be a raised platform or bridge. The details of this building, including its roofs, pillars, and ornate railings, are all rendered with precision in iridescent mother-of-pearl. Two figures, likely women in traditional attire (Ao Dai), are depicted walking, their flowing garments also meticulously crafted from shell. The background includes trees, possibly palm trees, and abstract foliage, all in varying shades of white and iridescent shell, suggesting depths and textures. Smaller, scattered butterfly or bird-like shapes and floral motifs embellish the lower portion and edges of the tray, adding to its decorative richness. The quality of craftsmanship appears to be high, with fine detail observed in the inlay work and a smooth, glossy finish on the lacquer, indicating careful polishing. There are no immediately visible signs of significant wear, damage, or repairs from the provided image, suggesting it has been well-preserved. The luster of the mother-of-pearl is bright and reflects light, indicating good condition. The style points to a traditional Asian, specifically Vietnamese, aesthetic, and such items were commonly produced from the mid-20th century onwards, with this piece possibly dating from the latter half of the 20th century to early 21st century. Its primary function would be decorative, perhaps for display or as a serving tray for special occasions.

Estimated Value

$300-500

Basic Information

Category

Decorative Art / Homeware

Appraised On

August 28, 2025

Estimated Value

$300-500

Item Description

This item is a decorative lacquer tray, likely from Vietnam, given the traditional Vietnamese landscape and figures depicted. It features a unique scalloped or wavy edge, giving it an ornamental rather than purely functional appearance. The primary material appears to be wood, meticulously coated with multiple layers of a rich, reddish-brown lacquer that deepens to a darker brown or black towards the scalloped edges, creating an attractive gradient effect. The central design is achieved through intricate mother-of-pearl inlay (Ngoc Trai Khảm), a hallmark of Vietnamese lacquerware. The inlay vividly portrays a serene landscape scene. A prominent architectural structure, possibly a temple or traditional pagoda, stands centrally on what appears to be a raised platform or bridge. The details of this building, including its roofs, pillars, and ornate railings, are all rendered with precision in iridescent mother-of-pearl. Two figures, likely women in traditional attire (Ao Dai), are depicted walking, their flowing garments also meticulously crafted from shell. The background includes trees, possibly palm trees, and abstract foliage, all in varying shades of white and iridescent shell, suggesting depths and textures. Smaller, scattered butterfly or bird-like shapes and floral motifs embellish the lower portion and edges of the tray, adding to its decorative richness. The quality of craftsmanship appears to be high, with fine detail observed in the inlay work and a smooth, glossy finish on the lacquer, indicating careful polishing. There are no immediately visible signs of significant wear, damage, or repairs from the provided image, suggesting it has been well-preserved. The luster of the mother-of-pearl is bright and reflects light, indicating good condition. The style points to a traditional Asian, specifically Vietnamese, aesthetic, and such items were commonly produced from the mid-20th century onwards, with this piece possibly dating from the latter half of the 20th century to early 21st century. Its primary function would be decorative, perhaps for display or as a serving tray for special occasions.

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