Studio Pottery Stoneware Low Bowl
Studio Ceramics and Pottery

Studio Pottery Stoneware Low Bowl

This is a hand-thrown studio pottery stoneware bowl featuring a wide, low profile with a slightly flared rim. The bowl exhibits a sophisticated tri-color glaze application typical of mid-to-late 20th-century studio craft. The interior surface is divided into three distinct segments: a speckled sand-colored matte glaze, a central dark metallic or tenmoku-style band, and a deep reddish-brown iron-rich glaze. The construction is robust with visible throwing rings in the clay body and a thick, rounded lip. The exterior glaze appears to wrap around the sides, leaving a portion of the raw, buff-colored stoneware clay exposed near the foot. Per the user's notation, the bottom is marked with the initials 'M B C', which are likely the potter's chop mark or signature. The piece is in good vintage condition with minor surface pitting and manufacturing pinholes consistent with artisanal firing. Its earthy aesthetic and geometric glazing suggest an American or British studio origin, likely inspired by Japanese mingei traditions.

Estimated Value

$150 - $250

Basic Information

Category

Studio Ceramics and Pottery

Appraised On

May 6, 2026

Estimated Value

$150 - $250

Additional Details Provided By Owner

User Provided Information

Initials M B C on bottom

Item Description

This is a hand-thrown studio pottery stoneware bowl featuring a wide, low profile with a slightly flared rim. The bowl exhibits a sophisticated tri-color glaze application typical of mid-to-late 20th-century studio craft. The interior surface is divided into three distinct segments: a speckled sand-colored matte glaze, a central dark metallic or tenmoku-style band, and a deep reddish-brown iron-rich glaze. The construction is robust with visible throwing rings in the clay body and a thick, rounded lip. The exterior glaze appears to wrap around the sides, leaving a portion of the raw, buff-colored stoneware clay exposed near the foot. Per the user's notation, the bottom is marked with the initials 'M B C', which are likely the potter's chop mark or signature. The piece is in good vintage condition with minor surface pitting and manufacturing pinholes consistent with artisanal firing. Its earthy aesthetic and geometric glazing suggest an American or British studio origin, likely inspired by Japanese mingei traditions.

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