
Vintage Shiwan Pottery Fisherman Incense Burner and Grotto
This is a two-piece decorative assembly consisting of a Shiwan-style mud-man fisherman figurine seated within a faux-bamboo and tile grotto structure. The figurine is crafted from glazed stoneware, depicting an elderly man with a long white beard and hair bun, a traditional motif in Chinese pottery. He wears a blue and yellow robe with brown trousers, and his face and skin are rendered in a matte, unglazed flesh tone common to the 'mud-man' tradition of the mid-20th century. He is seated on a textured blue rock, holding a thin wooden rod mimicking a fishing pole. The surrounding architectural niche features a textured ribbing to simulate bamboo walls and a stylized tiled roof with a central floral roundel. The grotto is finished in a pale cream or off-white glaze with a dark wash to accentuate the recesses and 'bamboo' joints. Condition-wise, the piece shows some surface grime and dust accumulation in the crevices, but no significant cracks or large chips are immediately apparent, though some minor kiln defects and firing pinholes may be present. This set likely dates to the 1950s-1970s and represents the folk-art exports from the Guangdong province. The craftsmanship is decent, with hand-molded details on the figure juxtaposed against the more uniform, possibly mold-cast grotto.
AI-Generated Appraisal Disclaimer
Estimated Value
$125.00 - $185.00
Basic Information
Category
Asian Art & Collectibles / Ceramics
Appraised On
February 14, 2026
Estimated Value
$125.00 - $185.00
Item Description
This is a two-piece decorative assembly consisting of a Shiwan-style mud-man fisherman figurine seated within a faux-bamboo and tile grotto structure. The figurine is crafted from glazed stoneware, depicting an elderly man with a long white beard and hair bun, a traditional motif in Chinese pottery. He wears a blue and yellow robe with brown trousers, and his face and skin are rendered in a matte, unglazed flesh tone common to the 'mud-man' tradition of the mid-20th century. He is seated on a textured blue rock, holding a thin wooden rod mimicking a fishing pole. The surrounding architectural niche features a textured ribbing to simulate bamboo walls and a stylized tiled roof with a central floral roundel. The grotto is finished in a pale cream or off-white glaze with a dark wash to accentuate the recesses and 'bamboo' joints. Condition-wise, the piece shows some surface grime and dust accumulation in the crevices, but no significant cracks or large chips are immediately apparent, though some minor kiln defects and firing pinholes may be present. This set likely dates to the 1950s-1970s and represents the folk-art exports from the Guangdong province. The craftsmanship is decent, with hand-molded details on the figure juxtaposed against the more uniform, possibly mold-cast grotto.
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