Blanc de Chine Guanyin Figurine
This is a monochrome porcelain figurine characterizing the Chinese deity Guanyin, the Goddess of Mercy. The item is crafted in the 'Blanc de Chine' (Dehua porcelain) style, featuring a creamy white glaze with a lustrous, glassy finish. The figure stands approximately 10 to 12 inches tall and is depicted in a traditional flowing robe with exaggerated, graceful folds and a high topknot hairstyle. She holds a long-stemmed lotus flower, a symbol of purity, between her hands. The construction shows open-work scrolling behind her shoulders, adding a sense of lightness to the heavy ceramic. The base appears to be a stylized wave or lotus pedestal. The condition of the glaze appears consistent, with no immediate deep cracks or large chips visible in the photo, though fine crazing or small abrasions may be present upon closer physical inspection. This piece reflects a mid-20th-century vintage aesthetic, common in export porcelain from the 1950s-1970s. The craftsmanship shows good attention to drapery detail, suggesting a mid-range decorative production rather than a modern mass-produced plastic imitation.
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Estimated Value
$450-700
Basic Information
Category
Asian Antiques & Collectibles / Porcelain Figurines
Appraised On
March 19, 2026
Estimated Value
$450-700
Item Description
This is a monochrome porcelain figurine characterizing the Chinese deity Guanyin, the Goddess of Mercy. The item is crafted in the 'Blanc de Chine' (Dehua porcelain) style, featuring a creamy white glaze with a lustrous, glassy finish. The figure stands approximately 10 to 12 inches tall and is depicted in a traditional flowing robe with exaggerated, graceful folds and a high topknot hairstyle. She holds a long-stemmed lotus flower, a symbol of purity, between her hands. The construction shows open-work scrolling behind her shoulders, adding a sense of lightness to the heavy ceramic. The base appears to be a stylized wave or lotus pedestal. The condition of the glaze appears consistent, with no immediate deep cracks or large chips visible in the photo, though fine crazing or small abrasions may be present upon closer physical inspection. This piece reflects a mid-20th-century vintage aesthetic, common in export porcelain from the 1950s-1970s. The craftsmanship shows good attention to drapery detail, suggesting a mid-range decorative production rather than a modern mass-produced plastic imitation.
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