Sasak Terracotta Jar from Lombok
Indonesian Folk Art / Pottery

Sasak Terracotta Jar from Lombok

This is a large, hand-coiled terracotta earthenware jar originating from the island of Lombok, Indonesia, specifically from the Sasak pottery tradition. The piece exhibits a bulbous body with a high, slightly tapered neck and a wide, flared rim. It is crafted from local clay that fires to a rich reddish-brown or ochre hue. The surface is decorated with a combination of techniques, including incised floral motifs resembling lotus petals and applied high-relief figures, specifically small frogs which are symbolically significant in Indonesian agricultural culture for fertility and water. The jar features a distinct textured neck with a rope-like or scalloped band. A notable functional/stylistic element is the circular puncture or opening on the shoulder, likely intended for a spout or for aeration. The finish displays a varying patina with dark, smoky areas resulting from the traditional open-bonfire firing process common in Sasak villages like Banyumulek. Based on the provided context, the item is approximately 30 years old, placing it in the late 20th-century folk art revival period. In terms of condition, there is visible cracking on the body near the relief frog, along with surface abrasions and dust accumulation from utilitarian use or storage. The craftsmanship is characteristic of community-based artisan production, emphasizing organic forms and cultural motifs over machine-made precision.

Estimated Value

$250 - $400

Basic Information

Category

Indonesian Folk Art / Pottery

Appraised On

February 17, 2026

Estimated Value

$250 - $400

Additional Details Provided By Owner

User Provided Information

Lombok pottery 30 years old

Item Description

This is a large, hand-coiled terracotta earthenware jar originating from the island of Lombok, Indonesia, specifically from the Sasak pottery tradition. The piece exhibits a bulbous body with a high, slightly tapered neck and a wide, flared rim. It is crafted from local clay that fires to a rich reddish-brown or ochre hue. The surface is decorated with a combination of techniques, including incised floral motifs resembling lotus petals and applied high-relief figures, specifically small frogs which are symbolically significant in Indonesian agricultural culture for fertility and water. The jar features a distinct textured neck with a rope-like or scalloped band. A notable functional/stylistic element is the circular puncture or opening on the shoulder, likely intended for a spout or for aeration. The finish displays a varying patina with dark, smoky areas resulting from the traditional open-bonfire firing process common in Sasak villages like Banyumulek. Based on the provided context, the item is approximately 30 years old, placing it in the late 20th-century folk art revival period. In terms of condition, there is visible cracking on the body near the relief frog, along with surface abrasions and dust accumulation from utilitarian use or storage. The craftsmanship is characteristic of community-based artisan production, emphasizing organic forms and cultural motifs over machine-made precision.

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