L H Envoi by Irene Spencer (#35/500) Appraisal

Category: Mixed Media Collage

L
H
Envoi by Irene Spencer (#35/500)

Description

This framed mixed media collage, titled "L’ Envoi" by artist Irene Spencer, number 35 of a limited edition of 500, presents a textured, layered work. The piece appears to be constructed from various natural and found materials. The upper section suggests a structure reminiscent of crumbling architecture or perhaps armor, composed of small, dark brown, overlapping tile-like elements, possibly organic in origin such as seed pods, wood fragments, or shells, secured to a substrate. Within this upper area are circular raised elements that resemble sunbursts or abstract facial features, exhibiting a lighter, golden-brown hue with intricate details. The lower section transitions to a densely woven material, potentially natural fiber or twine, in shades of brown and tan, giving the appearance of a netting or fabric. A portion of this woven area has areas of discoloration or patination, particularly a greenish-blue streak and darker brown areas, contributing to the overall aged aesthetic. There is evidence of wear and perhaps some loss of the tile-like elements in places, suggesting the delicate nature of the materials. The entire piece is mounted on a light-colored background paper or board and housed within a dark brown, possibly wooden, frame under glass. The style suggests a contemporary or modern artistic approach emphasizing texture and abstract form. The presence of the edition number and artist's name (provided in the additional context) indicates this is an original artwork, likely from the late 20th or early 21st century based on the limited edition and mixed media approach common during this period. The craftsmanship appears deliberate, utilizing the textures and forms of the materials to create a visually complex composition.

Appraisal Report

Upon examining the provided image of L Envoi by Irene Spencer, number 35 of 500, I assess this framed mixed media collage. Visually, the condition appears good overall, despite some potential loss mentioned in the item description, which is common with natural materials. Authentication from images alone is limited; a physical examination would be necessary to verify the artist's signature/edition number, material composition, and overall craftsmanship definitively. Provenance documentation, such as a certificate of authenticity or purchase records, would significantly aid in confirming its authenticity and history. Market conditions for works by Irene Spencer, while not extensively documented in major auction databases for this specific medium and edition size, suggest a range typically associated with contemporary artists producing limited edition mixed media. Comparables for similar textured collages by artists of regional recognition or those with a established following in this style often fall within a certain range. Demand for specific pieces by Spencer will vary, and the limited edition of 500 adds a degree of rarity compared to open editions or prints. Factors impacting value include the condition, the artistic quality perceived from the image, the edition number (lower numbers often preferred), and the overall aesthetic appeal. Without in-person inspection or documented provenance, the appraisal relies heavily on the visual assessment and typical market performance for comparable works. Scientific testing could be employed to analyze the specific organic materials used for complete verification.

Appraisal Value

$300-500