Hart Gallery Acrylic 'Exaltation' Sculptures by Frederick Hart
Fine Art / Contemporary Sculpture

Hart Gallery Acrylic 'Exaltation' Sculptures by Frederick Hart

A pair of contemporary cast resin or acrylic sculptures featuring ethereal human forms emerging from a jagged, semi-translucent material. These pieces are highly characteristic of the 'Exaltation' or 'Songs of Mary' series by Frederick Hart. The sculptures are crafted from clear, frosted Lucite or cast acrylic, which creates a spectral, dreamlike quality as light passes through the figures. Each piece depicts a stylized, idealized human figure—one feminine and one masculine—integrated into a swirling, crystalline background that suggests movement or spiritual transcendence. The figures are mounted on thick, clear, polished rectangular acrylic bases. The craftsmanship showcases high-level industrial casting techniques followed by hand-finishing to achieve the smooth gradients and sharp, faceted edges of the surrounding 'shards.' There is no immediate visible damage, such as internal fractures or yellowing often associated with poor storage of acrylic, though fine surface scratches or dust accumulation may be present. These works typically date from the late 20th century, specifically the 1980s or 1990s. The play between the frosted texture of the bodies and the clarity of the surrounding medium is a hallmark of Hart's figurative style.

Estimated Value

$4,000 - $6,500

Basic Information

Category

Fine Art / Contemporary Sculpture

Appraised On

March 19, 2026

Estimated Value

$4,000 - $6,500

Item Description

A pair of contemporary cast resin or acrylic sculptures featuring ethereal human forms emerging from a jagged, semi-translucent material. These pieces are highly characteristic of the 'Exaltation' or 'Songs of Mary' series by Frederick Hart. The sculptures are crafted from clear, frosted Lucite or cast acrylic, which creates a spectral, dreamlike quality as light passes through the figures. Each piece depicts a stylized, idealized human figure—one feminine and one masculine—integrated into a swirling, crystalline background that suggests movement or spiritual transcendence. The figures are mounted on thick, clear, polished rectangular acrylic bases. The craftsmanship showcases high-level industrial casting techniques followed by hand-finishing to achieve the smooth gradients and sharp, faceted edges of the surrounding 'shards.' There is no immediate visible damage, such as internal fractures or yellowing often associated with poor storage of acrylic, though fine surface scratches or dust accumulation may be present. These works typically date from the late 20th century, specifically the 1980s or 1990s. The play between the frosted texture of the bodies and the clarity of the surrounding medium is a hallmark of Hart's figurative style.

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