AI identification & appraisal estimate

MCM Pottery Planter & Stand (Paul McCobb Style)

Submitted photo of MCM Pottery Planter & Stand (Paul McCobb Style)
Photo submitted by the user — not generated by AI

User's notes

Fusion z glass, made in china. 9.5x3.5

These notes were written by the person who submitted this item. Appraiser.AI has not verified them, and the AI's identification and estimate may rely on them.

AI Estimated Value

Not an official valuation

$15-25

AI estimate as of July 9, 2025 · verify with a professional before acting

AI-Generated · Verify before acting

Everything on this page is generated by AI for informational purposes only. AI can make mistakes — the AI may misidentify items or misattribute them (artist, maker, brand, designer, origin, era). This is not an official valuation and should not be used for insurance, sale, tax, estate, legal, or lending purposes — or any decision requiring a certified appraisal. It is not an authoritative claim about any person, brand, or rights holder — do not share or rely on it as a factual statement about a third party. Always consult qualified professionals before making financial decisions.

This analysis also relies on unverified notes provided by the user, which may be incomplete or inaccurate and could affect the result.

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AI Item Analysis

This item is a Mid-Century Modern (MCM) style pottery planter with a separate wooden stand, described as 'Paul McCobb Style'. The planter itself appears to be ceramic or pottery, featuring a matte, light earthy yellow to beige color. Its shape is distinctive, with a flared, wider opening tapering down to a narrower cylindrical mid-section, which then sits within the wooden stand. The overall dimensions are approximately 9.5 inches in height and 3.5 inches in width (likely referring to the base or a narrow point, as the top is flared). The construction suggests two main parts: a pottery vessel and a dark, possibly walnut or teak, turned or carved wooden stand. The pottery exhibits a smooth, unglazed or matte finish, typical of some MCM pieces, giving it a tactile quality. One notable condition issue mentioned is a 'chip', although its specific location or severity is not visually clear from the provided images. The manufacturing details are not discernible, as no maker's marks or signatures are visible. The 'Paul McCobb Style' attribution suggests an estimated age spanning the mid-20th century, likely from the 1950s or 1960s, reflecting the clean lines and minimalist aesthetic associated with that period. The presence of a separate stand integrated into the design is a common feature of planters from this era, allowing the pottery to be elevated. Quality indicators would typically include the consistency of the ceramic’s finish, the precision of the pottery's form, and the craftsmanship of the wooden stand, although these cannot be fully assessed without closer inspection. The color palette of the planter and the wood is consistent with MCM aesthetics.

AI Appraisal Report

Upon examining the provided images and description, I have assessed this home decor item, a planter with a separate wooden stand. The owner has described it as 'Paul McCobb Style' and provided additional details indicating it is 'Fusion z glass, made in china'. This information is critical to the valuation. The design clearly emulates the popular Mid-Century Modern aesthetic, specifically the style associated with American designer Paul McCobb, featuring a ceramic vessel on an elevated wooden stand. However, the 'made in china' marking confirms this is a contemporary reproduction or a modern piece inspired by that era, not an authentic vintage item from the 1950s or 1960s. The 'Paul McCobb Style' designation is therefore a stylistic descriptor, not an attribution of origin. The condition appears fair, but the mention of a 'chip' is a significant detractor. Without a physical inspection, the exact size and location of the chip cannot be fully assessed, but any damage reduces value. The market for authentic vintage Paul McCobb planters is strong, with pieces fetching several hundred dollars. In contrast, the market for modern, mass-produced, MCM-style decor is saturated and commands significantly lower prices. The value of this item is based on its decorative appeal as a contemporary reproduction, not its historical or collectible significance. Its primary value is functional and aesthetic. Given its modern origin, mass-produced nature, and noted condition issue, the appraisal value is modest.

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