Shiwan Glazed Ceramic Fisherman Mudman Figurine
Asian Antiques & Collectibles

Shiwan Glazed Ceramic Fisherman Mudman Figurine

A vintage Chinese polychrome glazed ceramic figurine, traditionally known as a 'Mudman,' depicting a seated elderly fisherman. The figure is characteristic of Shiwan ware, displaying hand-crafted details with a mix of glazed and unglazed surfaces. The fisherman wears a wide-brimmed conical hat in a turquoise-green glaze and a flowing cobalt blue robe lined in green. His face, long beard, and hands are left unglazed in a natural buff-colored stoneware, showcasing fine expressive modeling. He holds a thin fishing rod from which hangs a large, green-glazed fish. To his side, a textured green-glazed basket is visible. The piece stands approximately 4 to 6 inches tall. Notable condition issues include minor glaze abrasions and flaking on the edge of the hat and the base, which is common for these fragile earthenware pieces. The style suggests a mid-20th-century production, likely from the Guangdong province. The craftsmanship is evidenced by the detailed facial features and the vibrant, thick lead-based glazes typical of the Canton region's folk art tradition.

Estimated Value

$40-60

Basic Information

Category

Asian Antiques & Collectibles

Appraised On

December 20, 2025

Estimated Value

$40-60

Item Description

A vintage Chinese polychrome glazed ceramic figurine, traditionally known as a 'Mudman,' depicting a seated elderly fisherman. The figure is characteristic of Shiwan ware, displaying hand-crafted details with a mix of glazed and unglazed surfaces. The fisherman wears a wide-brimmed conical hat in a turquoise-green glaze and a flowing cobalt blue robe lined in green. His face, long beard, and hands are left unglazed in a natural buff-colored stoneware, showcasing fine expressive modeling. He holds a thin fishing rod from which hangs a large, green-glazed fish. To his side, a textured green-glazed basket is visible. The piece stands approximately 4 to 6 inches tall. Notable condition issues include minor glaze abrasions and flaking on the edge of the hat and the base, which is common for these fragile earthenware pieces. The style suggests a mid-20th-century production, likely from the Guangdong province. The craftsmanship is evidenced by the detailed facial features and the vibrant, thick lead-based glazes typical of the Canton region's folk art tradition.

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