Chinese Shiwan Mud Men Figurines
A set of four Chinese Shiwan Mud Men figurines, consisting of one standalone figure and a group of three. These miniature sculptures are crafted from a matte, unglazed ceramic known as 'mud' or stoneware, exhibiting a characteristic mud-gray and buff color palette typical of traditional Guangdong wares. The standalone figure depicts an elder sitting with a flowing beard and long robes, while the group features three scholars or immortals engaged in conversation, one holding a fan. The figures show intricate craftsmanship in the garment folds, facial expressions, and traditional hairstyles. Most 'mud men' were produced between the mid-19th and mid-20th centuries as bonsai or curio cabinet decorations. These particular pieces appear to be mid-20th-century exports. The condition appears fair to good with some visible surface dust and minor age-related wear, but no obvious catastrophic breaks or structural repairs are noted from the image. The faces and hands are left unglazed to emphasize detail, while the bodies show a faint slip. While no specific maker's mark is visible on the exterior, such pieces often contain 'China' or a shop name stamped into the base.
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Estimated Value
$100-150
Basic Information
Category
Asian Antiques & Collectibles
Appraised On
March 22, 2026
Estimated Value
$100-150
Item Description
A set of four Chinese Shiwan Mud Men figurines, consisting of one standalone figure and a group of three. These miniature sculptures are crafted from a matte, unglazed ceramic known as 'mud' or stoneware, exhibiting a characteristic mud-gray and buff color palette typical of traditional Guangdong wares. The standalone figure depicts an elder sitting with a flowing beard and long robes, while the group features three scholars or immortals engaged in conversation, one holding a fan. The figures show intricate craftsmanship in the garment folds, facial expressions, and traditional hairstyles. Most 'mud men' were produced between the mid-19th and mid-20th centuries as bonsai or curio cabinet decorations. These particular pieces appear to be mid-20th-century exports. The condition appears fair to good with some visible surface dust and minor age-related wear, but no obvious catastrophic breaks or structural repairs are noted from the image. The faces and hands are left unglazed to emphasize detail, while the bodies show a faint slip. While no specific maker's mark is visible on the exterior, such pieces often contain 'China' or a shop name stamped into the base.
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